Audiosfera muzeum instrumentów muzycznych
Journal Title: Audiosfera. Koncepcje-badania-praktyki - Year 2016, Vol 3, Issue 1
Abstract
Musical instrument museums differ substantially from institutional collections whose collections are primarily destined for visual appreciation. Adding sound is a desirable practice, but poses certain challenges due to the dissonance be - tween necessary protective measures and the need for the exhibits to be heard, not just seen. The paper examines this conflict and suggests a number of possi - ble solutions, with examples drawn from selected musical instrument museums and collections. It also touches upon the problem of imaginary soundscape: the dissonance experienced by the viewer of silent museum pieces originally designed to produce sound.
Authors and Affiliations
Joanna Gul
Keywords
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