À la manière de Bruno Schulz. Pastisz, parodia i naśladowanie Schulza w okresie dwudziestolecia międzywojennego
Journal Title: Schulz/Forum - Year 2016, Vol 8, Issue 8
Abstract
The paper focuses on three cases of pastiche and parody of Schulz’s fiction, published in the Polish press in the 1930s. The author realizes that success in emulating was conditioned not so much by the imitation of Schulz’s style and referring to the main motifs of his short stories, but, above all else, by the application of Schulz’s creative method which consists, paradoxically, in a parodistic, “panironic” approach to reality.
Authors and Affiliations
Piotr Sitkiewicz
Wpływowy brat Izydor (Baruch, Izrael) Schulz
After a Roman Catholic baptism, Izydor Schulz became an important member of the municipal board of Drogobych, cooperating with the Mayor Rajmund Jarosz. At that time, still before World War I, he designed and constructed...
Zwycięski Schulz w koronie
Labirynty Brunona Schulza is an attempt to look at the writer’s output through the prism of occult knowledge, particularly the works of Aleister Crowley. Adam Wosiak searches in Schulz’s fiction for the images of a world...
Eduard Fuchs i Bruno Schulz
In 1913, the Albert Langen publishing house in Munich published two-volume work, Die Weiberherrschaft in der Geschichte der Menschheit (The Rule of Women in the History of Mankind). Compiling 665 reproductions of drawing...
Masochizm Schulza w ujęciu Ficowskiego
The author examines Jerzy Ficowski’s approach to Schulzian masochism. Examining few traces of Schulz’s sexuality in Ficowski’s study Regions of the Great Heresy, he argues that his biographical portrait presents the writ...
Schulz dadaistą? Parodystyczna krytyka kultury europejskiej w opowiadaniu Brunona Schulza „Dodo”
The essay is an interpretation of a story from The Sanatorium under the Sign of an Hourglass. Its most important frame of reference is the history of European culture, since apparently Schulz parodied in his text two key...