Arquitecture and power: the visual discourse of NO-DO and the arquitecture of francoism (1943- 1975)
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2016, Vol 5, Issue 7
Abstract
Today we can consider NO-DO as a source of inestimable value for historical research in all its areas. This news program that developed parallel to the Franco regime was instrumented in the service of the regime, an issue that loses its negative connotations when - as is the case of this article - we treat it as a source of information. In particular the representation made by the NO-DO News of the architectural production is a testimony of great relevance for the History of Art. “Interrogar” the different architectural images allow us to deepen how the footprint of Spanish architecture of the moment is constructed, from a perspective when less singular.
Authors and Affiliations
Noemí Rubio Pozuelo
Keywords
Related Articles
- EP ID EP704523
- DOI https://doi.org/10.21071/ucoarte.v5i0.9557
- Views 85
- Downloads 0
Attributed and unpublished works by Juan Bautista Vázquez El Viejo and his workshop in the Kingdom of Seville
In this article several new works to be found in the old diocese of Seville, they are attributed to the sculptor Juan Bautista Vázquez “el Viejo” (for example, the images of Saint Sebastian which is located in the Church...
Celebrations and funerals in the Cathedral of Seville (1685-1701)
After the death of archbishop don Ambrogio Spinola Guzman in 1684, succeeded him in Seville mitra Don Jaime Palafox and Cardona, in Palermo until that moment. During his rule, the prelate presided over important ceremoni...
The legacy of Gustavo Giovannoni: a study of the "syncretic conservationism" of Leopoldo Torres Balbás through his facet as an architectural historian
Leopoldo Torres Balbas was an important architect of the Spanish origin of a doctrine of architectural restoration. From the Italian area and the Gustavo Giovannoni´s legacy, Torres Balbas undertook a particular apprecia...
The conservation of architecture and cultural spaces at the beginning of the 21st century. New instruments for the recognition of the value and restoration of Italian cultural heritage.
In the prime twenty-first century, occurred in Italy the maturation of some recent interpretations of the Cesare Brandi´s definition about restoration, with the aim to develop the operational potential of his method, say...
Fashion collection: From Eleonora Duse to Julie Peters-Desteract
This article analyzes a particular branch of the relationship that combines the art and fashion world with focus on the theme of textile collecting, operated by female characters. The area of textile collecting connects...