BIBLICAL ELOQUENCE AS A FACTOR OF EUROPEAN SELF-IDENTIFICATION

Abstract

Тhe article analyzes the mental and imaginative levels of M. Tilló's poem, which represents a sharply subjective authorial interpretation of the characteristic existential anxiety of our contemporary, born of the loss of faith in the humanistic ideal of man as the ruler of his destiny. The researcher tries to reject helpless clichés like "the reflection of the beauty of native nature", to investigate a system of values of the poet and to describe her a peculiar artistic expression, because the object of the image there is a delusive and elusive and profane question "what is this?" appears before the reader with a new force. Meanwhile, this poem was largely stimulated by the atmosphere of the expectation of an universal catastrophe on the border of the XX-XXI centuries ("Millennium"), which predetermined a certain echo of the biblical intonation of repentance. In the dramatic landscape image, written in an emphasis on the "discolored" gamut and designed to create the impression of "the rarefaction of matter," the Christian concept of reality was reflected as a temporary and doomed to the death of existence. Reminiscences from the ancient heritage, like the "Pegasus-horse", not only do not give the product a "sentimental pathos," but on the contrary, emphasize the naivety of the pre-reflective mythological consciousness, which calls from the contradictions of reality into the world of free imagination. Due to written by various-styled amphibracheus (15-12-15) and the alternation of stanzas the rhythm of the verse is intended to reproduce the movement of the lyrical plot into the algorithm "thesis – antithesis – synthesis". It just creates "intervals" are not natural cycles like "winter- spring ... ", but the dynamics of the spiritual search, the process of comprehension of the essence of being and the precious role of every moment here. In this dialogue with nature and culture, the author’s ego plays the leading role, giving life to the world and society with its own spiritual impulse. It also creates a special concept of the "melody of spirit", which testifies about perception of the author himself and the nature of the experience of the archetypes of the collective unconscious by him and his readers in the given historical moment. At the same time, this conceptual sphere is equally opposed to nature with its hopeless suffering of the mortal man, and to the "butterfly" existence of a hedonist, who does not realize the existential tragedy of being. The article can also be regarded as a contribution to the consideration of the theoretical problem of in-depth study of the structure of poetic themes and universal components of literary terms like "landscape".

Authors and Affiliations

S. D. Abramovych

Keywords

Related Articles

THE WRITTEN FAMILY SPEECH OF SURZHYK SPEAKERS

This paper analyzes the written family speech of the surzhyk speakers with carrying out the following tasks: in the first place, to ascertain the genre specificity of “household” texts, and, in the second place, to chara...

INTERMEDIALITY AND SYNESTHESIA AS COMPONENTS OF EKPHRASTIC ENGLISH-LANGUAGE DISCOURSEOF V. WOOLF

The article examines functions of the intermediality and synesthesia of the visual, auditory and tactile perception in the ekphrastic English-language discourse «Three pictures» by Virginia Woolf. The scientific articles...

ABOUT THE PHONETIC AND ORTHOGRAPHIC FEATURES OF THE LANGUAGE OF SOME PERIODICALS OF HUNGARIAN RUS OF THE SECOND HALF OF THE XIX – THE EARLY XX CENTURY

This article considers the phonetic and orthographic features of some periodicals, that were published in Buda and on the territority of historical Transcarpathia in the second half of the XIX – the early XX century than...

SOCIOLECT AS A PROBLEM OF THE LITERARY TRANSLATION

This article considers a problem of reflection of sociolect in the literary in English-Ukrainian translation. The concept of sociolect is firstly explained, an analysis of this phenomenon is conducted through the prism o...

STRUCTURAL COMPONENTS OF LINGUOSEMIOTIC SPACE OF A GLOSSY MAGAZINE FOR WOMEN

The article deals with the study of structural components of linguosemiotic space of a glossy magazine for women, which is treated as a structured systemic universe aimed at creating certain images through the generation...

Download PDF file
  • EP ID EP639590
  • DOI -
  • Views 90
  • Downloads 0

How To Cite

S. D. Abramovych (2018). BIBLICAL ELOQUENCE AS A FACTOR OF EUROPEAN SELF-IDENTIFICATION. Науковий вісник Херсонського державного університету. Серія: “Лінгвістика”, 34(2), 255-260. https://europub.co.uk./articles/-A-639590