CAŁKOWICIE INNA SZTUKA
Journal Title: DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu - Year 2017, Vol 24, Issue 24
Abstract
Waldemar Okoń, Jestem jak echo. Rok 1983, wyd. Warstwy, Wrocław 2017
Waldemar Okoń, Jestem jak echo. Rok 1983, wyd. Warstwy, Wrocław 2017
POCZUCIE HUMORU W SZTUCE
„Thank God I’m an atheist” – this was the last gasp of a dying Louis Buñuel. Culture is like a spider web of tubes and wires that are wrapped around modern art museum – the Beaubourg Centre, the Centre Pompidou in centra...
OD FIKCJI LITERACKIEJ DO PRAKTYKI ARTYSTYCZNEJ. CYBERPUNKOWE WIZJE RZECZY- WISTOŚCI WIRTUALNEJ
Modern art is experiencing a particular renaissance of interest in connection with virtual reality (VR). The number of VR projects shown in exhibition space, art galleries, prestigious festivals and art fairs which conce...
FOTOGRAFIA I ŚMIERĆ – UWIKŁANIE I REALNA STYCZNOŚĆ
The canonic texts devoted to photography, written by R. Barthes and S. Sontag, have preserved the perception of this medium in the perspective of inevitable and inseparable connection with death. They have supplied a ser...
Obraz wycięty z widoku. O symbolicznym znaczeniu kadru
Elżbieta Łubowicz Images Cut out from Views: on the Symbolic Meaning of Frames The key element in the form of photography is the frame. It reveals the potential for expression, which is still very little known. Because o...
Performatyka wizualności. Wayang kulit na wyspie Bali
Mirosław Kocur Performing Visuality Wayang Kulit in Bali I propose to study visuality as a rhizome of different performances. To better explain the complexities of the emergence of visuality I will focus on a case study,...