COMMON SENSE APPROACH TO THE RESTORATION OF SACRED ART
Journal Title: Studia Gilsoniana - Year 2014, Vol 3, Issue
Abstract
In this paper, Sacred Art is examined as an imitation of historia. Historia interprets historical human events as empirical, material and real while seeking to understand their moral and spiritual significance. It is from historia that sacred art can be understood, where Christ and the saints are portrayed in the integrity of their human natures united to symbols representing Divinity or grace in order to present a visual/contemplative narrative. Mortimer Adler rightly sees that the vision of the beautiful is inherently contemplative, thus sacred iconography provides a language that can form the common sense of men and women.
Authors and Affiliations
Alphonso Lopez Pinto
Gilson on Philosophy and Civilization
In his essay “The Role of Philosophy in the History of Civilization” presented at the 6th International Philosophical Congress at Harvard in 1926, Gilson outlined three general trends among historians of philosophy. Some...
B. Dionisio Areopagita. Exposición acerca de los Nombres Divinos (Capítulo IV. Lecciones 5 y 6)
B. Dionisio Areopagita. Exposición acerca de los Nombres Divinos (Capítulo IV. Lecciones 5 y 6)
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Antonia Fitzpatrick argues clearly throughout Thomas Aquinas on Bodily Identity that the Dominican saint never consistently achieves a coherent, unified understanding of the nature of the continuity of bod-ily matter acr...
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