Concert activity of Sergey Bortekevich in the beginning of the 20th century: historiographical aspect
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 4
Abstract
Purpose of the article is to study the concert and performances of the world-famous composer and pianist Sergei Bortkiewicz, as part of the cultural development processes of the first half of the twentieth century. Methodology. Methodological basis of the research is based on the use of the historicism method, as well as structural and descriptive research methods. Appeal to the first is conditioned by the necessity of evaluating a particular segment of the artist's activity and his historical and cultural comprehension. Also, the appeal to the structural method is because the study takes a holistic understanding of the pianistic component of the creative portrait of Sergei Bortkiewicz. Thus, the descrip- tive method is used by us as an auxiliary method in the analysis of concerts by the composer. The scientific novelty of the study is to study the concert performance of Sergei Bortkiewicz as a pianist. For the first time within the framework of the national and world battles, a wider scholarship was applied to European periodicals of the first half of the twentieth century to study the concert activity of the artist, as well as the place occupied by his creative activity in the European cultural space of that time. Conclusions. The analysis of archival historical materials of the early twentieth century showed that the artist occupied a stable position in the European musical culture of the specified period. Despite the con- troversial reception of his contemporaries, he continued the concert activity as a propagator of the own works. Consider- ing the above, we assert that the performer's and composer's activities of the artist are inalienable complementary parts of his creative individuality, which makes it impossible to further study the artistic heritage of Sergei Bortkiewicz without taking into account the concert and performance of the artist.
Authors and Affiliations
Yevhen Levkulych
Keywords
Related Articles
- EP ID EP669459
- DOI -
- Views 99
- Downloads 0
Ideological foundations of informal education as a realisation of principles of innovative culture
An innovative culture is considered by scientists not only as a factor of modernization and development of certain types of human activity, but also as a form of modern culture, which emerged as a result of wide implemen...
GENDER EQUALITY AS AREA OF I. GASPRINSKY’S AWARENESS-RAISING ACTIVITIES
The objective of the paper is to study and to produce a holistic view of the I. Gasprinsky activity aimed at the establishment of a Muslim woman as an equal member of society. Methodology. Scientific thinking on the I. G...
Religious pilgrimage to Kiev Pechersk Lavra: memoir sources and periodicals of the XIX century
Purpose of the research is to study the phenomenon of religious pilgrimage to Kiev-Pechersk Lavra in the XIX-early XX century as well as the roots of excursion activity in the monastery at that time. Methodology of the r...
CHERNIHIV REVUTSKY MUSIC COLLEGE: EUROPEAN VECTOR OF DEVELOPMENT
Purpose of the research. The research is related to the coverage of the process of accumulating the musical pedagogical experience of the Chernigov region, which corresponds to the historical traditions of European profe...
Filaret Kolessa – the founder of the Ukrainian ethnographic musicology: pre-Soviet historiography.
Purpose of the article. The article covers the problem of research in the pre-revolutionary historiography of the scientific heritage of the famous Ukrainian scientist Filaret Kolessa in the field of Ukrainian ethnograph...