Człowiek/zwierzę/roślina/maszyna — perspektywa posthumanistyczna
Journal Title: Studia Europaea Gnesnensia - Year 2011, Vol 4, Issue
Abstract
The article deals with the cultural and contextual complexity of the ideas concerning posthumanity. The main problem is the formulation of a scope of the new subjectivity which is neither hierarchical, nor homogeneous
Authors and Affiliations
Grażyna Gajewska
Keywords
Related Articles
- EP ID EP168967
- DOI -
- Views 92
- Downloads 0
TRA DANIMARCA, SVIZZERA E ITALIA. LA VISIONE POLIPROSPETTICA DEL VIAGGIO NELLA PRIMA FASE DELLA PRODUZIONE MIGRANTE DI ELVIRA DONES
The article aims to analyze the problem of travel writing, define its typology and discuss the outcomes of travelling as they are unfolded in the first phase of Elvira Dones’s migrant writings. It addressess three phenom...
O DZIKU, CZYLI SYMBOL CELTYCKIEGO ŚWIATA POD LUPĄ
Recenzja książki: Agnieszka Bartnik, Moccus. Dzik w wierzeniach starożytnych Celtów, Wydawnictwo Naukowe Uniwersytetu Śląskiego, Katowice 2012, 172 s.
ROSYJSKI TRZECI SEKTOR WE WSPÓŁCZESNEJ FEDERACJI ROSYJSKIEJ
At present, Russian Federation shows symptoms of departure from democratization processes and civil society models. Over the last decade, Vladimir Putin’s coming to power, changes in the strategy and rhetoric of internal...
Średniowieczne „małe ojczyzny” czy centra świata?
Medieval Europe also had its “little homelands”. Not infrequently, they rose as far as to achieve the rank of symbolical centres. Traces of such approach may be found in literary work.
Heterotopie i nie-miejsca w „Cześć Tereska!” Roberta Glińskiego i „Lilji 4-Ever” Lukasa Moodyssona
The aim of this paper is to analyse non-places and heterotopias in the films “Cześć Tereska!” (Poland, 2001, Robert Gliński) and “Lilja 4-ever” (Sweden, 2002, Lukas Moodysson). Drawing on the theories of French anthropol...