FEATURES OF THE ARTISTIC INTERPRETATION OF THE CHERNOBYL TRAGEDY IN THE LYRICS OF LINA KOSTENKO
Journal Title: Проблеми сучасного літературознавства - Year 2018, Vol 0, Issue 26
Abstract
In the article features of artistic interpretation of Chernobyl tragedy in poetic and publicistic works of Lina Kostenko are considered. The Chernobyl theme in the works of Lina Kostenko constitutes the basis and center of the lyrical experience, forming a complete work. The Chernobyl tragedy entered the poetic consciousness of the poetess so deeply that even in the works on another theme memories of Chernobyl, allusion to it arise, a mosaic of thoughts and feelings of the poetess turned to modern reality is formed. Lina Kostenko continues the best traditions of Ukrainian literature which are associated with acute perception and ethical and philosophical artistic understanding of the most important socio-historical events, phenomena, processes for the country and people. At the same time, the poetess not only recreates her artistic perception of the world, but also transforms, reinterprets traditional genres, sometimes falling back to combinatorics of various genre and poetology systems. Not so much as desire for a unique repetition of themes, images, emotions, thoughts but also some kind of inner peculiar repeatability is inherent to Lina Kostenko’s creative consciousness. It is based on the integrity of the author’s lyrical subject with its special ethical and philosophical vision of reality, the view of life addressed to the contemporary reader. In the work of Lina Kostenko a distinctly pronounced tendency of the aesthetic solution of acute socio-historical, moral, philosophical problems actual for the modern life of the Ukrainian people emerges. The peculiarities of this view of life, the experience of the world are peculiarly refracted in the lyrical and tragic theme of the Chernobyl disaster.
Authors and Affiliations
Tetyana Filat
Keywords
Related Articles
- EP ID EP632472
- DOI 10.18524/2312-6809.2018.26.129478
- Views 92
- Downloads 0
M. BASHKIRTSEVA: PROBLEM OF AUTOMYPHOLOGIZATION
The problem of automyphologization in the M. Bashkirtseva’s «Diary» is analysed in this article as an important part of the myth about the artist.
ПРИНЦИПЫ ЛИТЕРАТУРНОЙ КРИТИКИ Л. ШЕСТОВА
The article discusses the principles of interpretive practices of L. Shestov. The emphasis is on philosophemes of critic, which allowed him to create an original conception of creative personality of the writer. Analyzed...
КОНЦЕПТ «ТВОРЧЕСКАЯ ЛИЧНОСТЬ» В РАССКАЗЕ А. И. КУПРИНА «АНАФЕМА»
The article reveals the principle of the creation and development of the concept «creative person». It suggested the methods of textual realization of the concept «creative personality» in the story Anathema by A. Kuprin...
МОДЕРНИЗМ КАК ПРОБЛЕМНОЕ ПОЛЕ СОВРЕМЕННОЙ ГУМАНИТАРНОЙ МЫСЛИ. ЛИТЕРАТУРОВЕДЧЕСКИЙ ДИСКУРС. СТАТЬЯ ЧЕТВЕРТАЯ
This article reviews how in the discourse of literary studies during the late XX — early ХХI century the problem of conceptualization of the phenomenon acmeism was analysed.
INTERTEXTUAL FEATURES OF IRENE ROZDOBUDKO’S PROSE
In this article are analyzed features of intertextuality in I. Rozdobudko’s works, which are crucial to connect her prose in one structure. Also is defined such term as «intertextuality» and «autotextuality» and their in...