Individual performing style of the conductor-choirmaster as a subject of theoretical research

Abstract

The purpose of the work is to study the individual performing style of conductor-choirmaster in the aspect of theoretical reflection. The methodology of the study involves the use of a systematic and structural method that allows presenting a system of contemporary performing arts in the unity of the components of a multi-level complex of conduc- tor-choirmaster's activities. The method of analysis and synthesis used in the study of scientific sources for the synthesis of information about the individual performing style. The comparative method is used to compare the theoretical and practical approaches to the identified problem. The scientific novelty of the study is to expand the boundaries of study- ing choral art as an artistic phenomenon; deepening and structuring of scientific knowledge in the field of choral perfor- mance. Conclusions. As a result of the research, the concept of "creative method" and "style" are analyzed; the author's definition of an individual performing style is proposed; the question of collective character of creativity is actualized; the system of interconnection "conductor - choral collective" is presented; outlined the main aspects of the interaction of the conductor and the team: technical, psychological, ethical and aesthetic.

Authors and Affiliations

Yulia Tkach

Keywords

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  • EP ID EP665348
  • DOI -
  • Views 110
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How To Cite

Yulia Tkach (2018). Individual performing style of the conductor-choirmaster as a subject of theoretical research. Вісник Національної академії керівних кадрів культури і мистецтв, 1(3), 359-366. https://europub.co.uk./articles/-A-665348