Influences of western music by Dimitri Tiomkin in the spaghetti western
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2015, Vol 4, Issue 6
Abstract
The music of the spaghetti western has a strong personality, shaped by certain intrinsic elements at the time of its moment of creation and genre. Its main representative composer is Ennio Morricone. Given the decline of American westerns in the sixties, some of its formal and musical features were revolutionary. This was due to the abandonment of the dominant trend, imposed by the Americans Jerome Moross and Elmer Bernstein. But a thorough analysis of the history of western music reveals that some new elements considered already existed in the American western of the fifties, particularly in the compositions of Dimitri Tiomkin. To the study of these aspects is dedicated this work, where American precedents and examples of their use in Italy are provided.
Authors and Affiliations
Ángel J. Estebaranz, Lucía Pérez García
Keywords
Related Articles
- EP ID EP704516
- DOI https://doi.org/10.21071/ucoarte.v4i0.9481
- Views 99
- Downloads 0
The chapels of the canon Francisco de Madrid in the city of Baza (Granada)
In the decades of the thirties and eighties of the five hundred the two chapels were erected where the canon Francisco de Madrid was buried, one of the most outstanding members of the ecclesiastical elite of the Baza of...
Fashion collection: From Eleonora Duse to Julie Peters-Desteract
This article analyzes a particular branch of the relationship that combines the art and fashion world with focus on the theme of textile collecting, operated by female characters. The area of textile collecting connects...
A lost Century of industrial architecture The case of the Zamora's «Social Panera»
The valorization of the industrial architecture in Spain during last years shows the relevance achieved by these buildings. However, industrial heritage is an inheritance that remains forgotten and far from protection. T...
Celebrations and funerals in the Cathedral of Seville (1685-1701)
After the death of archbishop don Ambrogio Spinola Guzman in 1684, succeeded him in Seville mitra Don Jaime Palafox and Cardona, in Palermo until that moment. During his rule, the prelate presided over important ceremoni...
The curator as artist. Questioning about its limits
The figure of the curator encloses many of the powers that we regard as proper of the artist. This text aims to draw attention to the artistry that is present in the work of the curator, a task in which we will be accomp...