INTERPRETATIONAL AND CREATIVE ASPECTS OF CONCERTMASTER’S PRACTICE AS A COMPONENT OF MUSICAL-ARTISTIC ARHITECTONICS OF VOCAL-ROMANCE CYCLES OF S. RAHMANINOFF OP. 38
Journal Title: Молодий вчений - Year 2018, Vol 1, Issue 53
Abstract
This article is devoted to review of the interpretational and creative aspects of concertmaster’s practice as a component of musical-artistic architectonics of vocal-romance cycles of S. Rahmaninoff. Dialogical correlations of vocal and piano parties are one of the most important problems of studying and performing of vocal miniature. It also examines the process of studying of the chamber-vocal music (op.38 S. Rahmaninoff), stylish and genre features of romances, principles of interaction between literary and musical texts, vocal and piano parties. In this cycle of romances of S. Rahmaninoff (op. 38, 1916) are studied evolutional processes of interpretation of the vocal-piano ensemble, where composer fundamentally reinterpretates the piano party. Principles of vocal-instrumental synthesis gives possibility to examine the major context of each piece of cycle through the piano role, which approaches to the semantic scales of an opera aria, thus request an expansion of the piano keyboard space, that creates pre-conditions for a new type of the genre phenomenon as vocal-piano duet.
Authors and Affiliations
N. M. Komarenko
Keywords
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