Komunikowanie absurdu życia i śmierci. O spektaklu „Nieporozumienie” na podstawie sztuki Alberta Camusa w reżyserii Stanisława Hebanowskiego
Journal Title: Amor Fati - Year 2015, Vol 1, Issue 2
Abstract
In 1976 Stanisław Hebanowski, a theater director, has staged on the scene of the Wybrzeże Theatre “The Misunderstanding” – a play written in 1943 in occupied France by Albert Camus. This spectacle was significant for Hebanowski, not only be-cause of it`s evaluation, which shows that the weakness of the Camus’ play have been overcome on the scene, what author of the article demonstates. “The Misunderstand-ing” by Hebanowski is also interesting for philosophical thought because of the votes of reviewers of spectacle, circulating around the question about timeliness of the con-sideration about the absurdity of life and death of the individual in the 70s in Poland. Joanna Roś analyzes this comments and draws conclusions from them.
Authors and Affiliations
Joanna Roś
Motywy o cechach symboli w opisach miłości incestualnej. O trzech powieściach Andrzeja Kuśniewicza
Incestual love between brother and sister is depicted in three novels by Andrzej Kuśniewicz – it is suggested already in “Eroica” (1963), fully developed in “Król Obojga Sycylii” (1970) and returns in “Stan nieważkości”...
Zdeterminowanie. Czy człowiek (nie)zmiennym jest?
Some people are able to give up our addictions day by day, while others hesitate to do that for a years. Some of us could learn upon their mistakes, and others do not see the schemes governing their lives despite explici...
Varia o szczęściu
-
Czy rzeczywistość posiada strukturę? Część I: Absolut i momenty istnienia
-
Zobaczyć niewidoczne – (nie)jawne zło narracji. Obłęd w świecie, czy świat w obłędzie?
The aim of this article is to confront the category of the naked evil, based on the literary example of the Ukrainian trilogy (Wyspa ocalenia, Zasypie wszystko zawieje…, Zmierzch świata) by the polish author Włodzimierz...