Le dialogue de la musique et de la langue dans « Moderato cantabile » de Marguerite Duras
Journal Title: Lublin Studies in Modern Languages and Literature - Year 2014, Vol 38, Issue 38
Abstract
Music in Duras’s works – analysed primarily in terms of intertextuality – is an element that creates the structure and sets the pace of the text. It provides an excuse to present feelings and thoughts of the characters, their hidden desires and yearnings. Music soothes the pain of parting, lets listeners forget about their problems, and brings forward true passions that cannot be put into words. Duras’s fondness of music is manifested by her attitude to reality and her vision of love. A piece of music with its depth and richness in a way reflects the inner self of the author.
Authors and Affiliations
Anna Ledwina
Keywords
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- EP ID EP165969
- DOI 10.17951/lsmll.2014.38.1.26
- Views 59
- Downloads 0
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