LE THEATRE DE EUGENE IONESCO, QUELQUES REFLEXIONS SUR LA SIGNIFICATION DE LA PROLIFERATION
Journal Title: The Journal of International Social Research - Year 2012, Vol 5, Issue 21
Abstract
Eugène Ionesco, one of the foremost playwright’s of the Absurd Theater of 1950’s has subverted traditional forms in terms of content and style. Ionesco brought innovative, unusual forms in his works reflecting particularly themes of lack of communication and alienation within a dreamlike framework. In this study, the meaning of proliferation of language and objects has been studied in plays such The bald soprano, The Lesson and Rhinoceros. We have tried to examine how proliferation can be the internal dynamic of the selected texts.
Authors and Affiliations
Arzu KUNT
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