ЛІНГВОКУЛЬТУРНИЙ КОНЦЕПТ «КИЇВ» У ХУДОЖНЬОМУ ДИСКУРСІ П. ЗАГРЕБЕЛЬНОГО
Journal Title: "Український смисл" - Year 2017, Vol 1, Issue
Abstract
The article examines the structure of linguocultural concept «Kiev», which is an important constant artistic discourse of P. Zagrebelny. Here is described the specificity of the logical and conceptual opposition of «city» – «village», which is presented by variety of concept-verbal in writer's language style end which received the status of cultural symbols. Analyzed the semantics of proper names «Kiev» which is undergo significant transformations of the inner form in some historical and modern works of novelist and represented by different lexical meanings of the word. Defined a nominative field of core of concept in line with the semantic-cognitive areas of modern science. Commented many-segmented structure of associative and peripheral areas of the concept, which highlighted a number of semantic codes, the totality of which defines the essence of art-a metaphorical image of Kiev in the individual language picture of the world of P. Zagrebelny. It is proved that the main semantic category, which will presented by verbal components of the concept, is a category of space – temporal and local. The semantic axis of the description of space-time defined by the philosophical triad «past – present – future». Identified and analyzed cognitive subcodes in author's concept «Kiev», among which, besides the logical-conceptual structures which centered around temporary and local space also important areonymous, religious and markingoussubcodes.
Authors and Affiliations
Наталія Голікова
Keywords
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