Musical Theoretical Approach to Studying the National Stylistics of Classics of Ukrainian Piano Music for Future Musical Art Teachers

Abstract

Stylistic aesthetic, imaginative sensual and texture evolution of piano music genres in Ukraine in the first third of XX century are analyzed in the article. It is noted that Ukrainian music experienced great changes at the sharp bend of XIX–XX centuries. Despite a tough reaction and oppressions, which Ukrainian culture suffered in that period, the development of a strong folklore stream, which nourished the oeuvre of famous Ukrainian composers, kept proceeding in the musical art. The peculiarities of formation of national stylistics in the context of Slavonic and European musical cultures development are figured out. The forming of stylistic renovation features of piano music by classical composers was progressing in the way of assimilation the general legitimacies of European art tendencies on one hand and by the very national features, which found their embodiment in their works on the other hand. The authorial reconsideration of traditional methods of work with the folklore material is inherent in the oeuvre of the majority of Ukrainian composers of the beginning of XX century. The evidence of the early modernism and its later streams are organically combined in their oeuvre. The specificity of form-making processes and musical language of Ukrainian classical composers is disclosed. The very national peculiarities found their embodiment in their works and in the variety of ways and forms of composers thinking. It was shown in the texture diversity of compositionally expressive means of melodic structure, picturesque and emotional harmonic language, active characteristic rhythm and wide palette of dynamic colors. The necessity of studying the national stylistics of Ukrainian piano music classics by future musical art teachers is formulated and grounded. In our opinion, the acquisition of musical theoretical approach for understanding the national stylistics of Ukrainian piano music classics should provide the qualitative training of highly qualified future musical art teachers, which are called to form moral aesthetic feelings and beliefs, musical tastes and needs of future generation of Ukrainians.

Authors and Affiliations

L. M. Sviridovskaia

Keywords

Related Articles

Scientific and Pedagogical Staff Training in Universities of Ukraine in the Second Half of the XIX – the Beginning of XX Century: Modern Historical and Pedagogical Researches

The experience of modern scholars, concerning the study of urgent problems of the scientific and pedagogical staff training in universities of Ukraine in the second half of XIX – beginning of XX century is generalized in...

Neonyms of the Linguistic Metalanguage: Translative and Lexicographical Aspect

The article is devoted to terminological neonyms of the metalanguage of linguistics (on the basis of German and English), and the problem of their translation and lexicographic fixation. The attention is paid to the reas...

Military Poetry in the Early 20th Century in the Literature of Great Britain and Azerbaijan

There are observed similar principles of creativity and quality and ideological content in the poetry of Azerbaijan and Great Britain in the early twentieth century. Prior to World War I, each of these nations concentrat...

"Identification of Personality" vs "Identity of Personality": Correlation of Concepts.

The article deals with the concept of identification and identity of personality which is one of the most controversial problems in the Humanities. The terms mentioned speak to the very definition of an entity – an organ...

Vasyl Sukhomlynsky's Views on the Physical Education of the Younger Generation

The article analyzes the pedagogical views and practical experience of the outstanding Ukrainian teacher, the Honoured Teacher of Ukraine, the headmaster of the Pavlysh secondary school Vasyl Olexandrovych Sukhomlynsky f...

Download PDF file
  • EP ID EP442810
  • DOI -
  • Views 132
  • Downloads 0

How To Cite

L. M. Sviridovskaia (2016). Musical Theoretical Approach to Studying the National Stylistics of Classics of Ukrainian Piano Music for Future Musical Art Teachers. Вісник Житомирського державного університету імені Івана Франка, 86(4), 144-148. https://europub.co.uk./articles/-A-442810