Narcyzm przekłuty kołkiem ironii. Czyli co stało się w Fabryce muchołapek
Journal Title: Zagadnienia Rodzajów Literackich - Year 2018, Vol 61, Issue 3
Abstract
This article is the first attempt at the psychoanalytical interpretation of Flytrap Factory by Andrzej Bart. The author refers to such issues as Holocaust, postmodernism and culture of narcissism. Marta Tomczok compares the novel written by Bart in 2008 with the documentary Radegast by Borys Lankosz and Bart’s screenplay. In Tomczok’s interpretation judgement over Chaim Mordechai Rumkowski is not the main theme of the Bart’s novel. The researcher supposes that the main topic could be the contemporary story of the writer Andrew working on the novel entitled Flytrap Factory and screenplay of the film similar to Radegast. The author bases on the theory of narcissism of J. Lacan and the concept of postmodernist history of H. White.
Authors and Affiliations
Marta Tomczok
Wizualność jako dominanta reportażu literackiego. Wokół książki Długi film o miłości. Powrót na Broad Peak Jacka Hugo-Badera / Visibility as Dominant of Literary Reportage. Around the Book Długi film o miłości. Powrót na Broad Peak by Jacek Hugo-Bader
The purpose of this article is to discuss the role of visuality in contemporary literary reportage. In my analysis I focus on the book Długi film o miłości. Powrót na Broad Peak by Jacek Hugo-Bader, published in 2014. I...
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