НАРОДНОПІСЕННА ТРАДИЦІЯ У ВИКОНАВСЬКІЙ ПРАКТИЦІ СУЧАСНИХ УКРАЇНСЬКИХ ЕСТРАДНИХ СПІВАКІВ
Journal Title: World Science - Year 2018, Vol 6, Issue 3
Abstract
An important feature of the modern period is an active search and experiments in the field of authentic music usage, by means of principles and approaches, peculiar to various types of folklorism. Modern pop-vocal art involves creative experience and achievements of performing folklorism, which entailes the usage of specific means of expressiveness inherent in traditional performing. They focus, above all, in the authentic manner of singing, with its distinctive regional musical-linguistic dialect and genre certainty. The article deals with the elaboration of the Ukrainian folk song tradition problematics and its performance representation in the practice of modern pop artists. The creative and performing experience of Anichka, Hrystina Soloviy and Illaria is analyzed. On the basis of the contemporary Ukrainian pop singers creativity, whose performance develops the folk music traditions in a contemporary art space, the leading principles of folk-song performance reproduction in the practice of contemporary pop art of Ukraine are determined. Extremely positive and fruitful in contemporary practice is the tendency of modern folklore understanding as self-sufficient and self-worth traditional culture, the disclosure of the stylistic diversity of its forms, and the desire to reproduce the folk song culture in its natural syncretism. The desire of the folk traditions revival back to people`s life should be the most important stimulus and motivation for creativity in the field. One should be aware of the folk-song tradition as part of the spiritual culture of the nation and avoid the consumption of its unique patterns. In the lifes of our ancestors a song have always had an extremely important multifunctional meaning, so the entertaining narrowing with an attended essence, content and energy loss is inadmissible.
Authors and Affiliations
В. В. Осипенко
Keywords
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