"No pienso gestar en este útero": cáncer, caducidad genérica, improductividad asexual y la reivindicación del vacío
Journal Title: Etcétera - Year 2023, Vol 2, Issue 13
Abstract
As an outline of autotheory, this work is concerned with forming an archive of micropolitical and personal anecdotes based on the transit of an asexual body through the biopolitical protocols designed for the survival of a breast cancer, but also for the preservation of its gestating capacity. It narrates, therefore, the objections that censure and question the decision of this body to dispense with its uterus, an organ perceived as threatening and inconsequential, although for the biopower it is relegated as an object of moral and political interference. Then, against the heterolinear and prefigured ways of futurity, this body finds in the void a space of agency and resignification of bonding and affective possibilities for life outside of cisheteronormative coherences, scripts and mandates.
Authors and Affiliations
María Eugenia Martí
Keywords
Related Articles
- EP ID EP730806
- DOI -
- Views 49
- Downloads 0
"No pienso gestar en este útero": cáncer, caducidad genérica, improductividad asexual y la reivindicación del vacío
As an outline of autotheory, this work is concerned with forming an archive of micropolitical and personal anecdotes based on the transit of an asexual body through the biopolitical protocols...
Huellas visibles: activismo artístico en movilizaciones de la Multisectorial La Plata, Berisso y Ensenada por J.J. López (2006-2016)
In this article we review some aesthetic-political interventions carried out in the framework of mobilizations for the second disappearance of Jorge Julio López, in the city of La Plata...
Antonio Gramsci: hacia un marxismo etnográfico [Traducción de Crehan, K. (2018). Antonio Gramsci: towards an ethnographic marxism. ANUAC, vol. 7, núm. 2, pp. 133-150. Italia: Società Italiana di Antropologia Culturale]
“Culture” was always for Gramsci an important aspect of political struggle. In thePrison Notebookshe insists on the need for “a cultural front alongside the merely economic and merely political ones”(Gramsci,1995:...
Reseña de la obra teatral El deber de no dañar al otro
Amores, dolores y maldiciones se corporizan en una obra desmontada. Una confluencia de universos personales que se expande como olas en un mar embravecido. El Cuenco Teatro1cobij...
"Ella me mira y yo ya sé qué quiere". Cruces y vínculos entre performance y estado
In this essay I reflect on the links between performance and state in an event promoted by a provincial dependence secretary in Santiago del Estero(Argentina). Through the description of forms of non-ve...