Obcowanie z obcymi. O ludzko-obcych hybrydach w Wojnie światów Herberta George’a Wellsa i Drakuli Brama Stokera
Journal Title: Zagadnienia Rodzajów Literackich - Year 2018, Vol 61, Issue 4
Abstract
Berhard Waldenfels claimed that at the turn of 18th and 19th century “the alien explicitly and definitely penetrated the heart of the reason and the heart of the one’s own” in Western culture. Since then we no longer live in a world, where we could be fully ourselves. But the alien still haunts us and raises fear. A hundred years later, at the turn of 19th and 20th century, British literature presented two powerful images of confrontation with the alien, images that penetrated the imagination of the mass audience in 20th and 21st century: Martians from H.G. Wells’ famous novel and the iconic bloodthirsty count created by B. Stoker. Though they seemingly radically differ from humans at a close look they make us rethink our definition of humanity and of the alien.
Authors and Affiliations
Mikołaj Marcela
La forme de la litanie comme cadre: le cas du lai et d’autres genres littéraires médiévaux / The Form of a Litany as the Frame — the Case of the Lai and Other Medieval Literary Genres
This paper aims to search for the traces of how the meter of lai interferes or cooperates with the form of a litany. The research will be conducted on the basis of medieval French literature from first paraphrases of lit...
The Principles, Pleasures and Realities of Translating Psychoanalysis
Are all translators murderers, pests or parasites? Are they humble or the spokespersons of a community? Are they trustworthy or traitors, or even ‘faithful bigamists’? And do translations have to be beautiful or faithful...
Klasyczny epos perski – tradycja i świadomość autorska
The article explores the concept of authorship in early (10th−11th century A.D.) classical Persian epic poetry, it uses examples of three representative works: Ferdousi’s Šāhnāme, Asadi’s and Gorgāni’s Vis-o Rāmin. As th...
Libretto, muzyka i opera. Interferencja czasowa w teatrze muzycznym
The central focus here is on the category of time in opera theatre. The structure of time in the opera is understood as consisting of two types of structure: linear-temporal type or circular type. Structured time that is...
An Academic Discipline at a Crossroads. The Different Approaches to Teaching Literature in Warsaw and in Vilnius in the years 1811−1830 – an Initial Analysis
The article’s goal is to reflect on the perception of literary studies as an academic discipline in the 19th century Poland in the twenties and the thirties. The answer to this question may be found in lectures given in...