PRECONDITIONS OF ORIGIN OF CREATION WORK FOR BAYAN (late XIX – mid-twentieth century)
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2017, Vol 1, Issue 2
Abstract
The purpose of the article is to identify the main stages of the origin of the works for bayan. Method of integral analysis of chamber of chamber-bayan genre as well as historically-style and comparative methods. Scientific novelty of the work is as follows: for the first time in domestic musicology successive historical concept of development of bayan historical culture and chamber ensemble is brought up and basic directions of evolution of bayan-instrumental genre is determined, brief characteristics of main stages of this process and their art attributes is given, instrumental semantics of bayan-ensemble genres is revealed. Conclusions. Thus bayan art is a unique example of quick change of instrument "cultural image". In front of two or three generations, it rose from the "symbol" of folk festivals and club amateur perform-ances to the image of "academic" instrument suitable to perform the repertoire of world music classics.
Authors and Affiliations
Bohdan Kislyak
Keywords
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