Problems and solution proposals of cinema education in Turkey<p>Türkiye’de sinema eğitiminin sorunları ve çözüm önerileri
Journal Title: Journal of Human Sciences - Year 2018, Vol 15, Issue 1
Abstract
The cinema that emerged in the late 19th century is one of the newest forms of art. Therefore, it is necessary to evaluate the education of cinema which is a visual arts field in art education. Cinema education in our country started in the middle of the 1970s and took its place in academic education as one of the departments of the Faculty of Fine Arts and the Faculty of Communication. However, this binary structure has brought the tendency to treat cinema as a science in the Faculty of Communication and as an art form in Faculty of Fine Arts. In this study, it was tried to show that the lack of the bilateral approach to cinema education was discussed, then cinema was taken as a multidimensional phenomenon and it required an education that was designed to overcome this dual approach. When approaching cinema as a multidimensional phenomenon, it was firstly reached that television and cinema education should be arranged in a way to have a different academic viewpoint, and that the reception of students with cinema education by center examination is counterproductive to the nature of cinema as an art scene.Extended English summary is in the end of Full Text PDF (TURKISH) file. Özet19. Yüzyılın sonlarında ortaya çıkan sinema en yeni sanat formlarından biridir. Dolayısıyla görsel bir sanat dalı olan sinemanın eğitimini de sanat eğitimi içerisinde değerlendirmek gerekmektedir. Ülkemizde sinema eğitimi 1970’lerin ortalarında başlamış, günümüze kadar geçen süreçte Güzel Sanatlar Fakültelerinin ve İletişim Fakültelerinin bölümlerinden biri olarak akademik eğitimde yerini almıştır. Ancak bu ikili yapı İletişim Fakülteleri’nde sinemayı bir bilim olarak, Güzel Sanatlar Fakülteleri’nde ise bir sanat formu olarak ele alma eğilimini de beraberinde getirmiştir. Bu çalışmada sinema eğitimine söz konusu ikili yaklaşımın eksiklikleri tartışılmış, ardından sinema çok boyutlu bir olgu biçiminde ele alınarak bu ikili yaklaşımı aşacak bir bakış açısıyla oluşturulmuş bir eğitimi gerektirdiği ortaya koyulmuştur. Sinemaya çok boyutlu bir olgu olarak yaklaşıldığında öncelikle televizyon ve sinema eğitimlerinin birbirinden ayrı akademik bakış açısına sahip olacak şekilde düzenlenmesi gerektiği ve sinema eğitimi veren fakültelere merkezi sınavla öğrenci alımının bir sanat dalı olarak sinemanın doğasına ters düştüğü sonucuna ulaşılmıştır.
Authors and Affiliations
Nuray Hilal Tuğan
Keywords
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