The text emphasizes the difference between two artistic approaches. The
first one of them is rare and comprises various kinds of artistic games
with death undertaken by the artists, whereas the second one depends
on play...
Izabela Franckiewicz-Olczak
Interactive Art vs. Social Interactions. Analysis of Interactive Art Strategies in the
Light of Erving Goffman’s Interactional Perspectives
Izabela Franckiewicz-Olczak analyzis interactive art...
The author reflects on the problem of social transformation in terms of
receiving and classifying humor, as shown by the example of disappearing
lyrical species called ‘trifle’. In his view, contemporary Polish poetry (a...
Agnieszka Bandura
The Open Space – Shape, Symmetry and Dynamic
Narration in Contemporary Abstract Sculpture
E. Chillida once said that nobody knew what space exactly was. I try to
describe a new idea of space that is eme...
Humor is in the very center of E. Wurm’s art strategy. He believes that
‘humor is a weapon’. It is the weapon that allows us to see the world and
ourselves without pomposity and solemnity masking the real problems. Humor...
EP ID EP74962
DOI -
Views 128
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How To Cite
Karol Maliszewski (2014). Puste
miejsce po.
Powrót do
wierszy
Jacka
Bieruta. DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu, 18(18),
278-282. https://europub.co.uk./articles/-A-74962
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ARTYSTYCZNE GRY ZE ŚMIERCIĄ WE WSPÓŁCZESNEJ SZTUCE
The text emphasizes the difference between two artistic approaches. The first one of them is rare and comprises various kinds of artistic games with death undertaken by the artists, whereas the second one depends on play...
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