РЕЛІГІЙНА СЕМАНТИКА ПОВЕДІНКИ СУЧАСНОЇ БОГЕМИ: МЕТОДОЛОГІЧНІ КОНТЕКСТИ ДІАЛОГІЧНОЇ КУЛЬТУРОЛОГІЇ ТА КУЛЬТУРОЛОГІЇ РЕЛІГІЇ
Journal Title: Гуманітарний часопис - Year 2015, Vol 1, Issue 1
Abstract
Bilchenko Y.V. RELIGIOUS SEMANTICS OF CONTEMPORARY BOHEMIAN BEHAVIOR: THE METHODOLOGICAL CONTEXTS OF DIALOGICAL CULTUROLOGY AND CULTUROLOGY OF RELIGION. The article is devoted to the cultural analysis of implicit sacred meanings in symbolic behavior of bohemian circles of XX-XXI century. (avant-garde and postmodern). The author introduces a new methodology for religious interpreting of secular behavioral gestures as the texts - synthesis of dialogic cultural studies and cultural studies of religion. Key positions of article: the typology (based on Z. Bauman) of cultural subjects in «Pilgrim» (classic type) and "tramp" (non-classical type) - and philosophical understanding of the phenomenon of unity of tragic and ironic (based on M.Berdyaev and U. Eco) in behavior of a «tramp». In terms of cultural studies the behavior of the creative person as dialogical (public) entity is a unique symbolic phenomenon, semantic series which can be properly interpreted, correlating with еру semiotic analysis of the relevant time-space world view and artistic works. Like artistic masterpiece, a series of vital actions and communicative acts is an expression of attitude, typical to this type of culture. Therefore, it makes sense to talk about the formation of entirely new cultural disciplines, methodological framework which is based on the philosophy of dialogue as a «philosophy of action», which in their subject field combining (using the terminology of A. Mole) macro- (context culture semiosphere) microenvironment (subjectivity author of the text as «character» of semiosfery) and the actual text itself - the author’s work, which includes both the environment and adds to them his own one, as an autonomous semantic for, that can be incorporated (by switching the cultural codes) and that can include their connotations in other environments and contexts of infinite number of interpreters readers. We go out to the level of interdisciplinary synthesis of two relatively new areas of cultural knowledge: dialogical culturology and culturology of religion, that serve us as a methodological basis of research and determine its theoretical and applied relevance. On this base we make comparative research of the sacral and secular types of action of the spirit and artistic circles and postulate their similar and different features (tragedy and irony, double code, meta-narration). Summarizing our comparative analysis of the types of «Pilgrim» as a religious hero and «tramp» as artistic hero with a hidden category of religiosity through tragedy and irony - requires a certain fate prognostics - trying to design the future "ideal" type of bohemian personality. Despite the fact that irony is born as artistic mask, exhausted bravado for which hidden existential pain from social injustice, and hence moral and spiritual religious overtones, there is always a danger of degradation of protest to the game by avalanche effect. Against this background, the specificity of «tramp» is that it captures the absolute degree of alienation (not «emptying» as a «pilgrim»). It becomes marginalized, denies social environment, not pursuing any transcendental meta-narrative; his freedom from the "hypocrisy" becomes anarchic-natural forms, and the "tramp" is "player" carrier settings on relativism and nihilism, for which values, are only a manipulative tool hedonist sensual pleasure. To relieve imminent creation of playfulness that follows the irony, to combine irony of «tramp» with seriousness of «pilgrim», freedom - with responsibility, individualism - of solidarity. This combination is possible on the basis of moral categories of dialogue and love, which is by overcoming egocentrism for the save of individuality. If the artist is the subject of dialogue / love, he becomes signs of «Pilgrim», without losing authenticity of a "tramp", his work is directed from the snare of social morality in the realm of higher spiritual truth. The world that spawned by marginalization "tramp" and led him to complete selfdestruction - the same world is the need to establish a new type of hero, whose behavior would be relying on the tradition of spiritual experience. On the one hand, prevents the break of identity that inevitably experiencing in ironic marginal society, on the other side - promotes the religious public authority, that takes on the new forms of artistic expressions.
Authors and Affiliations
Євгенія Більченко
Keywords
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