Rescue US: Birth, Django, and the Violence of Racial Redemption

Journal Title: Religions - Year 2018, Vol 9, Issue 1

Abstract

In this article, I show how the relationship between race, violence, and redemption is articulated and visualized through film. By juxtaposing DW Griffith’s The Birth of a Nation and Quentin Tarantino’s Django Unchained, I contend that the latter inverts the logic of the former. While Birth sacrifices black bodies and explains away anti-black violence for the sake of restoring white sovereignty (or rescuing the nation from threatening forms of blackness), Django adopts a rescue narrative in order to show the excessive violence that structured slavery and the emergence of the nation-state. As an immanent break within the rescue narrative, Tarantino’s film works to “rescue” images and sounds of anguish from forgetful versions of history.

Authors and Affiliations

Joseph Winters

Keywords

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  • EP ID EP25889
  • DOI https://doi.org/10.3390/rel9010021
  • Views 296
  • Downloads 7

How To Cite

Joseph Winters (2018). Rescue US: Birth, Django, and the Violence of Racial Redemption. Religions, 9(1), -. https://europub.co.uk./articles/-A-25889