Scenography studies – on the margin of art history and theater studies
Journal Title: Art Inquiry. Recherches sur les arts - Year 2014, Vol 0, Issue
Abstract
Scenography as a domain of artistic activity has always been a liminal art, placed between the visual arts and theater, with the latter being treated as a chiefly literary domain. The history of scenography to date has recorded two moments when it rose to prominence, becoming the “queen” of the spectacle: the Renaissance and modern times. The article will briefly discuss its history, to show the main reasons for the exclusion of scenography from the domain of academic research. The author will survey some recent publications on set design written by practitioners and academics.
Authors and Affiliations
Dominika Łarionow
(Neo)modernist architecture of Madrid: between form and theory
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Metaphysics in the shackles of asteiology
Will the dog crush heron’s leg, or will the heron pluck out the dog’s eyes? – an array of possible decodings of this animalistic drama appears in the logical-ontological space of the image. However, an image does not par...
From painted decoration to the screen. The turn in stage illusion in the late 20th and early 21st century
The painted decoration discovered in the Renaissance dominated the European stage for almost 300 years. In the second half of the nineteenth century, the so-called Great Reforms theater challenged this tradition, but it...
Adorno and practically useless art, or autonomy instead of avant-garde
Adorno’s aesthetic theory allows us to treat him as an anti-theorist of the avant-garde. We can find in his work many accurate observations grasping the essence of the changes that were introduced by this artistic format...
Intermediality and performativity in the context of performance art
Performance art is one of the most controversial trends of neo-avant-garde and one of the most difficult to characterize. Therefore, this paper will examine two notions which could prove useful in grasping some of its as...