Social Premises of Ivan Franko's Historiosophy
Journal Title: Вісник Житомирського державного університету імені Івана Франка - Year 2017, Vol 83, Issue 1
Abstract
In the life of every young person occurs such material and spiritual environment that at the confluence of personal circumstances and course of social or public events make pressure on the form, manner and methods of thinking, create archetypes for following creative activities, under which influence a person will remain within subsequent periods of his life. The study of creativity archetypes is important for understanding creative thinking peculiarities of a personality, his or her commitment to certain social groups, historical events, features of expression, style etc. The presence of an archetype requires logical proof; however, confirm that the creative archetype is the basis (premise) for proving patterns of choosing a particular set of creative approaches, determination of primary materials, clarification of personality’s creative potency direction. The material for creativity archetypes research is the life and work of a prominent creative person, an outstanding poet, philosopher, historian, sociologist, ethnologist, and economist – Ivan Franko. Important material of multifaceted creative genius of the epoch is his historiosophy: sophistication permeates almost all Ivan Franko’s literary works and his appeal to history is a kind of a logic thinking proof, substantiated by numerous factual materials. Research methods used in this scientific work are borrowed from sociology, psychology, history and, ultimately, the philosophy of history, but these methods are used to determine the logic of historical and philosophical depiction. On the materials of Ivan Franko’s biography, investigated by researchers of his work, were established the influence of childhood experiences on the development of artist’shistoriosophy, were defined the role of father and mother in the formation of Franco’ thinking type, participation of his teachers and educators in understanding the different patterns of thinking, were defined the list of events that most influenced the formation of the artist’s creativity, it was proved the existence of public communication through works of art producing. Through analysis of biographical data and their comparison with Franko’s historiosophical products the author found the origins of creative logic of this great thinker. Conclusions: 1. Archetype of creativity is an existing in the Archetype of creativity is saved in the memory of the individual initial amount of images created as a result of the perception of events, processes and phenomena of the external world required in the creative life of the individual as a material for updating, problematisation, personalization, targeting and implementation of the creative process. 2. Archetypes of creativity inherent in every stage of the creative activity of Ivan Franko and is the foundation of his literary, scientific, historical-philosophical and socio-political activities. The presence of archetypal origins of mental process proves logical pattern of the work initial phase. 3. Archetypes of creativity are premises of logic and creative thinking, and in this scientific research, they are necessary material for studying the origins of Ivan Franko’s historiosophy.
Authors and Affiliations
M. M. Yasinskyi
Keywords
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