Сoncept of FIRE in the poetry by I. V. Zhilenko.
Journal Title: Львівський філологічний часопис - Year 2018, Vol 3, Issue
Abstract
The article is devoted to the linguistic realization of the concept of FIRE in the poetic idiostyle of the famous Ukrainian writer I. V. Zhilenko. Attention is paid to semantic spheres and semantic content, which form the nuclear and cultural area of the concept, as well as individual and authorial interpretations. The problem of studying the language of poetry as a verbal art has always been one of the most important in linguistics. Nowadays increasing attention to the theory of style is due to the desire to penetrate deeper into the creative process, to analyze the peculiarities of word art. The language of the works of I. V. Zhilenko is of considerable interest to the researcher at all levels: phonetic, morphemic, morphological, lexical, and syntactic. Images of the water element have semantic implementations of eternity, mirrors, temporal concepts, human life, emotional feelings, and the source. The fire element also represents certain modes. In the poetry by I. V. Zhilenko, each of the designated semantic fillings is realized in a large number of the artistic tropics. At the same time, traditional, folklore epithets, comparisons and metaphors happen, and original ones, which testifies to the high artistic skill of the writer. Thus, the work allows us to approach problems of interaction of language, culture, consciousness, and the study of the verbal expression of natural elements has significantly expanded the notion of the spectrum of content and their role and place in the Ukrainian poetic picture of the world in the second half of the twentieth century.
Authors and Affiliations
О. В. Слюніна
Keywords
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