SPECIFICITY OF THE USE OF MEMOIR HERITAGE IN THE SCIENTIFIC RESEARCH OF ART HISTORIANS AND CULTURAL SPECIALISTS
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 1
Abstract
The purpose of the work is to study and analyze the specifics of the use of the memoir heritage of the artists through the example of three publications of different years of the Ukrainian Soviet theater and cinema actor, film director and cinema teacher E.S. Matveyev. Methodology. Research methodology consists of the use of the methods of scientific reconstruction, objectivity and historicism. These methodological approaches allowed us to study the methodology of using the memoir heritage of artists by modern Ukrainian scientists. The scientific novelty of the work is predefined by the necessity to study little known pages of history of Ukrainian cinema and its figures that for one reason or another remained out of eyeshot of home art critics. Conclusions. Summing up the above, it can be noted that the scientific tasks set at the beginning of the article have been fulfilled: the method of using the memoir inheritance of artists by modern Ukrainian scholars has been researched; the common features and differences in three publications by E.S. Matveyev – “Our cinema evening meetings: Evgen Matveyev”, “Do not spare the flames of heart” and “Fate in Russian” have been analyzed; the importance of checking the facts based on the dates and circumstances of Evgen Matveyev's entrance to the School of Movie Actors at the Kyiv Feature Film Studio has been shown. With the help of the important information found in the memoirs of E.S. Matveyev we paid attention to the importance of using the memorial legacy in scientific research.
Authors and Affiliations
Oleksandr Bezruchko
Keywords
Related Articles
- EP ID EP623600
- DOI -
- Views 98
- Downloads 0
The phenomenon of the intergenre dialogicality in chamber music of Ukrainian composers (late XX – early XXI centuries)
The aim of this article is to study the phenomenon of intergenre dialogicality in chamber music of Ukrainian composers of the late XX – early XXI centuries. Methodology. In this study were used musicological, structural-...
FUTURISM OF EDGAR VARESE IN PIANO INTERPRETATION OF HIS CREATIVE WORK
Purpose of the research. This work studies the specifics of the interpretation of the piano expressiveness by E. Varese that occupied such an exceptional place in the classical music of the previous stage and extremely c...
Semiotics of Ukrainian and Polish avant-garde in the light of the ideas of Lviv-Warsaw Philosophical school. O. Bogomazov - artists of "Krakow group": from Cubism and Futurism to expressive and lyrical abstrac- tion (Article 4)
The purpose of the research. In the first article on the semiotics of the Ukrainian and Polish avant-garde, his philosophical aesthetic and cultural context was considered, in particular, in light of the ideas of the Lvi...
Nikolai Shypovych, a Composer and Music Critic: Unknown Pages of the Life and Creativity
Purpose of Article. The purposes of the research are to trace the archival materials and to introduce a comprehen-sive activity of Nikolai Shypovych, a Ukrainian musical critic and composer of the late XIX – early XX cen...
Plagiarism in the context of an interdisciplinary approach: a dialogue of legal and cultural science paradigms М
The purpose of the article. The purpose of this scientific paper is to study plagiarism through the prism of the reflection of two fundamentally different scientific standards: legal, social, based on the ideals of posit...