THE IMAGE OF CLERGYMAN IN UKRAINIAN SATIRICAL-HUMOROUS LITERATURE OF THE 18TH CENTURY AND WEST EUROPEAN «LOW» LITERATURE
Journal Title: Наукові праці. Серія "Філологія. Літературознавство" - Year 2016, Vol 277, Issue 265
Abstract
Beginning with the 12th century «low» literature appears in West European literatures. Genre variations of this subculture in national literatures (French fabliau, German schwanks, English jests) functioned in different chrono-logical bounds, but genre and stylistic peculiarities, problem and subject spectrum, conceptual and esthetic criteria ideological focus were the same. Historic and cultural situation in Ukraine marked the absence of the «low» literature as it is, but the works of low baroque have a lot in common with West European patterns on the thematic level as well as on the poetics level. It helps to trace typological ties of native laughter literature with West European «low» one in particular on the level of comparative tematology. Unfortunately the comparative studies of Old Ukrainian literature are still held not enough. Anticlerical themes are general for all given patterns. Priorities of the mentioned imageologi-cal dominant during a lot of centuries all over Europe demonstrate the folk protest against the representatives of clergy and the church itself. Asynchronous functioning of these genre modifications helps to track the evolution of protest mood against the church in general and clergymen in particular. So, in fabliau, the genre existing in the Middle Age, greediness, longing for illegal enrichment are being activelycriticized. But it is not regular. Unworthy deeds of clergy are given as sporadic. Anticlerical motives in the schwanks acquire the resumptive character, the criticism spreads all over the social stratum. Such a mood in the schwanks is caused by a prevalent atmosphere of a German society before and during the Reformation. Spread of anti-Catholic moods and popularization of Anglicanism called forth the criti-cism of clergymen in the English jests. In the low baroque the specificity of Orthodoxy causes the crushing criticism not only of the clergy, but also the friars. The given comparative analysis allows to say that the mentioned national modifi-cations form a regional literary community.
Authors and Affiliations
O. Sydorenko
MYTHO-MAGICAL WORLDVIEW OF MODERN UKRAINIAN FANTASY
Any artistic work is author’s message, the main instrument to show individual perception of the world. At the same time it’s interesting when the author, referring to already existing mythological systems, creates his ow...
SYMBOLOGY OF «SKARBNYTSIA POTREBNAIA» BY IOANYKII HALIATOVSKYI: INTERACTION OF ECCLESIASTICAL TRADITION AND FOLKLORE
This article is an attempt to analyze the symbology of the collected narratives about miracles of Yeletska Mother of God which is called «Skarbnytsia Potrebnaia» («The Needful Treasury»). The book was written and publish...
IDENTIFICATION COMEDY WITH FOUR UNKNOWNS: UKRAINE – GERMANY – ISRAEL – PALESTINE (IN D. KAPITELMAN’S NOVEL MY INVISIBLE FARTHER’S SMILE)
The article is devoted to the peculiarities of an identity search and constructing manifested through the border experience of the functioning of the Self. The border is defined by the author as a collision of the known...
THE MYTHOLOGEM OF TWINS IN HALYNA PAHUTIAK’S NOVEL «THE MAGNATE»
The significance of the paper topic is stipulated by the fact, that the mythologem of twins in Halyna Pahutiak’s novel «The Mag-nate» (2014), which plays an important role in the artistic world of this literary work, has...
«THE WALL OF RESPECT»: INTERSECTIONS OF THE POLITICAL AND THE POETICAL
The article addresses the «The Wall of Respect» (1967–1971) – a collective mural in Chicago that displayed the faces of important leaders and events for the black community. Located at Avenue in Chicago, «The Wall» becam...