THE REALITY EROSION IN ZACK SNYDER’S “SUCKER PUNCH”
Journal Title: Вісник Львівського університету - Year 2017, Vol 12, Issue
Abstract
The reality erosion, i.e. an transgressed perception of reality, in Zack Snyder’s “Sucker Punch” is manifested as the layering of the realities of fantasy (the reality of luxury brothel which represents the position of women as sex objects and victims) and of phantasm (the reality which presents women not as victims of sexual violence but as strong personalities) onto the everyday reality of psychiatric asylum which is a source of psychic trauma or exacerbates the psychic trauma which the person already has.
Authors and Affiliations
Константин Райхерт
Keywords
Related Articles
- EP ID EP449882
- DOI -
- Views 94
- Downloads 0
YEMENI ARMED CONFLICT IN REGIONAL AND GLOBAL PERSPECTIVES
The author considers the influence of the third parties on the dynamics of the Yemeni civil war using the theory of proxy warfare. Particular attention is paid to the role of Saudi Arabia and Iran as main contributors to...
DEVELOPMENT OF CHRISTIAN PREACHING IS IN THE MODERN GLOBALIZED WORLD
In article the essence of a Christian preaching in the conditions of changes of globalizations of the present reveals. The main directions of development of religion during a globalization era, change of functions of rel...
SPECIFICITY OF LAUGHABLE BEHAVIOR OF PROFESSIONAL COMMUNITIES AND CORPORATE HUMOR
This article explores laughter and laughter behavior as forms of intragroup and intergroup professional relationships. The functional role of laughter in the formation of professional identity was identified, the specifi...
IDEOLOGEMES OF PRO-RUSSIAN SEPARATISM IN UKRAINE
In the article analyzes the ideologues that formed the basis of pro-russian separatism in the southeastern regions of Ukraine. Their entering into the information space and propagation became one of the mechanisms for of...
PIECE OF PAINTING AS AN ANALOGUE OF A PERFORMANCE. AN IMAGE AND A GAME: AUTOCOMMUNICATION AS AN EXISTENTIAL DIMENSION OF THE SEMIOSIS OF ARTS
The article is an attempt to describe the specificity of the semiosis of arts in the context of autocom- munication, based on the way of being a piece of art, which G. Gadamer characterizes as a game. The game, in this...