The show as a component of modern culture: the formulation of the problem

Abstract

Objective: systematization of existing works on the problem of spectacle, as well as revealing features of the spectacle in the conditions of modern culture. Methodology. The methodological basis of the research is the general scientific principles of systematization and generalization of the problem under study, as well as an interdisciplinary approach that allows studying the problem under study with the wide involvement of scientific works of various branches of knowledge, in particular philosophy, cultural studies, art studies and sociology of culture. Scientific novelty of research. The vast majority of shows serves commercial or socio-political goals, not contributing to the growth of spirituality. However, modern realities require that the spectacle play an important role of elevating and asserting spirituality, supporting traditions and values, contributing to the renewal and revival of culture. The novelty of the work is to justify the opinion that the spectacle allows us to unite the masses of people on the basis of a single cultural tradition, and also - to attach disparate individuals to eternal values. Conclusions. Modern entertainment culture, on the one hand, is aimed at emotional and entertaining pleasure of participants and spectators, and on the other hand, it can be argued that the development of spectacular culture is determined by the appearance of the director and the use of theatrical elements and the use of modern innovative media technologies whose development in a certain degree due to the development of spectacular culture. The multifunctionality of the modern spectacle encourages the creative search of specialists involved in the creation of mass actions, sometimes performs not only entertaining, but also educational function, cognitive and even art-therapeutic.

Authors and Affiliations

Vasyl Romanchyshyn

Keywords

Related Articles

CouchSurfing as a special philosophy of travel

The purpose of the work. Over the long history of development of human travel there has developed a specific form of hospitality, which acquires a new meaning and new forms in the new information society under the influe...

Transformation of the Christian ethics of the beginning of the XXI century

The purpose of the article is to analyze paradigmatic transformations in modern Christian ethics. The methodology of the study is to use methods of analysis, synthesis, comparison, generalization, as well as phenomenolog...

The International Festival of the Theatres for Children "Interlyalka": the Dynamics of the Development and Artistic and Aesthetic Value

Purpose of Article. The purposes of the article are to analyse the dynamics and to determine the artistic, aes-thetic values of the international theatrical festival movement for children "Interlyalka" in Ukraine. The po...

The Theory of a Composition in Music: the Modern Researching of the Issue

Purpose of Article. The purpose of the work is to consider the composition of musical forms as a theoretical problem. This article is devoted to the theoretical analysis of the concept of compositions of musical art and...

"DAYTIME" AND "NIGHT" CULTURES IN P. FLORENSKY AND G. FLOROVSKY’S CONCEPTS

The purpose of the article is to reveal the essence and to carry out comparative analysis of the culture typologies of the same name ("daytime" and "night"), proposed by P. Florensky and G. Florovsky. The methodology is...

Download PDF file
  • EP ID EP553261
  • DOI -
  • Views 77
  • Downloads 0

How To Cite

Vasyl Romanchyshyn (2018). The show as a component of modern culture: the formulation of the problem. Вісник Національної академії керівних кадрів культури і мистецтв, 1(1), 213-216. https://europub.co.uk./articles/-A-553261