The soul of what we are: the organic view of the State in the populist discourse of Juan Domingo Perón
Journal Title: RHS-Revista Humanismo y Sociedad - Year 2016, Vol 4, Issue 1
Abstract
The way populist movements and leaders manifest and emerge in Latin America does not arise from reasons rooted in our time, instead they evidence deep social structures and political dynamics that can be traced back to the early decades of the twentieth century. This article uses, as a reference point, the populist discourse of Juan Domingo Perón, founded on an organic conception of the State, which is present in the structure of the political projects of the current heads of state of nations under this form of government.
Authors and Affiliations
Carlos Mario Cano Ramírez
A Bibliometric Analysis of the Evolution of Strategic Foresight
The objective of this article is to present a bibliometric review of the topic of strategic prospective, revealing its schools, tools, scientific production, the journals with the largest publications, and the related ar...
In the case of unlawful deprivation of freedom, which regime is applied to declare State liability?
This paper aims to analyze the application either of the subjective regime or the objective regime by the State Council against cases of unlawful deprivation of freedoms addressed when holding the State liable. To this e...
A Tax Planning and Management of SMEs Diagnosis. An Application in Antioquia, Colombia
Small and medium-sized enterprises are considered one of the main sectors of the economy due to their market participation and their ability to jointly generate employment. However, they are, at the same time, one of the...
Undergraduate adult learners: a challenge for higher education institutions
This paper focuses on the enrollment of middle-aged and late adults*** in undergraduate programs, particularly on the challenge educational institutions have of providing heterogeneous solutions tailored to the specific...
Literature and cinema: Night and fog and Hiroshima mon amour
In Night and fog (1955) and Hiroshima mon amour (1958), the director, Alain Resnais, with scripts by Jean Cayrol and Marguerite Duras, respectively, confronts the viewer with images touching the real. In the first produc...