TYPOLOGY OF MODERN THEORETICAL CONCEPTS OF CULTURAL ECONOMY
Journal Title: УКРАЇНСЬКІ КУЛЬТУРОЛОГІЧНІ СТУДІЇ - Year 2018, Vol 1, Issue 2
Abstract
The article proposes theoretical concepts typology of the modern cultural economy, which proves the existence of economic relations in the field of culture according to the Western European scientific tradition of XX-XXI centuries: 1) cultural and philosophical (T.W.Adorno, J. Baudrillard, P.Bourdieu, M.Horkheimer, S.Lash, C.Lury, J.Urry); 2) cultural industries approach (R.Williams, B.Miege, N.Garhnam, P.L.Sacco); 3) economic and managerial (W.J.Baumol, W.G.Bowen, M.Blaug, V.A.Ginsburg, D.Hesmondhalgh, A.Klamer, B.Miege, A.J.Scott, D.Throsby, B.S.Frey). According to these modern theoretical concepts, culture is the sphere of production and consumption of goods and services; it is functioning as a resource for economic, social and cultural development. This understanding of culture is the basis of the current policy of cultural and creative industries in the European Union and the United Kingdom. Cultural production is an interdisciplinary object of study, since the cultural good has its own peculiarity: its cultural value determines economic value. The article analyzes production in the field of culture and, at first, determines economy of culture as a scientific approach for understanding the functioning of the modern society in the categories of production and consumption; secondly, economics of culture is a scientific discipline in the field of economics. Theoretical and methodological bases were interdisciplinary scientific approaches to the understanding of culture as a sphere of production and consumption. For that reason were organized and systematized approaches to the understanding of culture as an economic reality in scientific discourse: 1) critical theory of T.W.Adorno, W.Benjamin and M.Horkheimer and the concept of "cultural industry"; 2) the interaction of cultural and power institutions in the processes of democratization of society and industrialization of culture (R.Williams, N.Garhnam, P.L.Sacco); 3) culture as a set of cultural industries, which form cultural capital (P.Bourdieu, D.Hesmondhalgh, B.Miege, D.Throsby); 4) the functioning of modern society as global culture industry in theory of S.Lash and C.Lury; 5) cultural economics theory (W.J.Baumol, W.G.Bowen, M.Blaug, V.A.Ginsburg, A.J.Scott, D.Throsby, B.S.Frey).
Authors and Affiliations
Iryna Parkhomenko
Keywords
Related Articles
- EP ID EP544545
- DOI -
- Views 127
- Downloads 0
MODEL OF CULTURAL RESEARCH IN THE PARADIGM OF THEORY OF SYSTEMS
The article is devoted to the development of culturological studies methodological model of the socio-cultural phenomenon basedon the theory of systems principles. The analysisis based on a conceptual paradigm: Sociocult...
POLISH AESTHETIC DISCOURSE OF THE 20TH CENTURY: INTERPRETATION OF INTERPRETATIONS
The article is devoted to the analysis of the Polish aesthetic discourse of the twentieth century and the prospects for its interpretation in the Ukrainian aesthetics, particularly in the works by Kateryna Shevchuk, defe...
MENTALITY AS A SUBJECT OF INTERDISCIPLINARY RESEARCH: DEFINITION ISSUE
Mentality as an essential mechanism of cultural and social processes, approaches to the definition of thisphenomenon are analyzed. The purpose of the article is the reconstruction of the history ofsocial and humanitarian...
DECADENCE-LITERATURE: THE IMAGERY SPECIFICITY
This article is devoted to the imagery problem of the decadence-literature (as a general phenomenon that periodically repeats itself) and of the literature of the decadency (as an oeuvre of crisis developments in art of...
FOREIGN POLICY VECTOR OF DNIPROPETROVSK REGION ACTIVITIES: EUROPEAN VALUES AND LANDMARKS
The article analyzes the foreign policy vector of Dnipropetrovsk region. The emphasis is put on European values and benchmarks in regional politics. Regions are dynamic socio-systems, which combine past, present and futu...