Ukrainian subjects in the theatrical repertoire of Right-Bank Ukraine in the first half of the nineteenth century
Journal Title: Вісник Національної академії керівних кадрів культури і мистецтв - Year 2018, Vol 1, Issue 3
Abstract
The purpose of the article is to detail the repertoire trends of the theatrical life of the Right-Bank Ukraine in the aspect of intercultural dialogue and the clarification of national specificity. The methodology of the Ukrainian theatrical culture of the mentioned period research is the application of the historical-chronological method with the use of a so- phisticated interdisciplinary approach, as well as elements of the techniques of the related humanities. It is also appropri- ate to apply a comparative method, methods of complex analysis and scientific reconstruction, etc. The scientific novel- ty consists in the systematization of information about the repertoire presented on the stages of Right-Bank Ukraine in the first half of the nineteenth century. His genre composition, living conditions, performing tradition of this period theatri- cal practice is one of the most important directions of research in the contemporary historiography of Ukrainian musical culture. Particular attention is paid to the place and role of Ukrainian subjects in the prevailing conditions of the Polish and administrative introduction of Russian theatrical traditions. In the context of repertoire trends, information about little- known works. Conclusions. The complexity of the study of the dramatic repertoire of the first half of the XIX century is due to the inaccessibility of texts of a large part of his samples, as well as the practice of creating numerous stage ver- sions of the work – performances adaptations, which often differed significantly from the original. However, even accord- ing to available sources, we can conclude that the works of Ukrainian subjects are viral. Subsequent sources of scholarly research in this promising direction will provide much more material in the study of repertoire features that largely deter- mined the faces of Ukrainian theatrical culture of the first half of the nineteenth century and also influenced its further development.
Authors and Affiliations
Olga Volosatykh
Keywords
Related Articles
- EP ID EP664701
- DOI -
- Views 131
- Downloads 0
Semiotic understanding of the "sign" category in the context of early medieval discourse
The purpose of the work. This study is related to semiotic understanding of the category "sign" in the context of early medieval discourse. Despite the fundamental body of academic research of the work of a prominent Chr...
Social culture in the context of the methodology of Ukrainian cuisine research
The purpose of the work is a conceptual analysis of social culture as a methodological basis for researching Ukrainian cuisine. The methodology is based on the application of general scientific methods (systemic, structu...
NATIONAL ROOTS OF PIANO SYMBOLISM OF A.SKRYABIN PERFORMANCE STYLE
The purpose of given work. Designation factors of piano performance style of Skrjabin, his symbolical sources, inveterated in impressionism-symbolism of C.Debussy and salon pianism of F.Chopin. Methodological basis of th...
Ideological foundations of informal education as a realisation of principles of innovative culture
An innovative culture is considered by scientists not only as a factor of modernization and development of certain types of human activity, but also as a form of modern culture, which emerged as a result of wide implemen...
Law as a socio-cultural phenomenon: the formulation of the problem
Purpose of the article is to define the characteristic features that are projected into the need and the main as- pects of the study of law as a socio-cultural phenomenon. The methodology of the research is based on an i...