VIDEOCARTAS: ELOS DA CADEIA DIALÓGICA EM UM PROJETO DE ARTES VISUAIS INTERCULTURAL ONLINE

Journal Title: Ideação - Year 2016, Vol 18, Issue 2

Abstract

Intending to contribute to the discussion of statements in videographic language, in online interaction processes, this study is based on Mikhail Bakhtin’s theory of dialogism. The concepts of authorship, enunciation, production of meanings help us to analyze the statements produced in the productions of videocartas; And the production of meaning in the sharing of them. The statements highlighted for our reflection were drawn from an extension project carried out with undergraduate students in Brazilian and American Visual Arts. In light of a Bakhtinian ethico-aesthetic theoretical / methodological perspective, which presupposes an ethical and responsive listening, we consider the Brazilian videotape. From the analysis, it is possible to infer that the videotape statement has relative positions of authorship not as a property of one or agroup, but as a position of enunciation, linked to the context in which it was pronounced and marked by a surplus of vision of the Authors-creators.

Authors and Affiliations

Katyuscia Sosnowski

Keywords

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  • EP ID EP689219
  • DOI -
  • Views 214
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How To Cite

Katyuscia Sosnowski (2016). VIDEOCARTAS: ELOS DA CADEIA DIALÓGICA EM UM PROJETO DE ARTES VISUAIS INTERCULTURAL ONLINE. Ideação, 18(2), -. https://europub.co.uk./articles/-A-689219