Wkład Polaków w londyński festiwal muzyki klasycznej The Proms
Journal Title: Edukacja Muzyczna - Year 2016, Vol 11, Issue 0
Abstract
Festiwal muzyki klasycznej organizowany w Londynie od 1895 roku, znany pod nazwą The Proms, bywa określany jako festiwal największy i najbardziej demokratyczny (J. Bĕlohlávek). Stanowi on niezwykłą atrakcję dla turystów odwiedzających Londyn podczas letnich miesięcy, dostarczając równocześnie okazji do zapoznania się z rozmaitymi dziełami muzyki klasycznej prezentowanymi przez światowej klasy wykonawców. W repertuarze festiwalu – od pierwszych edycji aż po dzień dzisiejszy – obecna jest muzyka polska, a grono wykonawców niejednokrotnie zasilane było przez polskich artystów. Niniejszy tekst koncentruje się na ukazaniu polskiego wkładu w festiwal The Proms – zarówno z perspektywy wykonywanego repertuaru polskiego, jak i udziału polskich artystów. Stanowi wynik analizy obfitych zasobów archiwalnych imprezy. The classical music festival held in London since 1895, known as The Proms is sometimes referred to as the largest and most democratic musical festival (J. Bělohlávek). It is a unique attraction for tourists visiting London during the summer months, providing at the same time an opportunity to get acquainted with various works of classical music presented by world-class performers. The repertoire of the festival – since the first edition until today – includes Polish music. Polish artists often joined the bunch of its performers. The focus of the text is on the Polish contribution to The Proms festival – both from the perspective of Polish repertoire, as well as the participation of the Polish performers. It is the result of the analysis of the abundant archival materials related to the event.
Authors and Affiliations
Bogumiła Mika
Keywords
Related Articles
- EP ID EP200917
- DOI 10.16926/em.2016.11.08
- Views 231
- Downloads 0
Giovanni Gagliardi – a virtuoso and a visionary of the accordion
Giovanni Gagliardi (1882–1964), an Italian composer and accordionist is now a forgotten artist. As early as in 1911, in Manualetto del fisarmonicista published in Paris, he postulated modifications in the construction of...
The Emissaries of the Wandering Beggars’ Tradition – on the Issues of Hurdy-Gurdy – Past and Present
The subject of the wandering beggars’ songs and their functioning in culture has been discussed many times in the Polish folklore studies and ethnomusicology. In the practical sense, it could seem that the beggars’ song...
The faces of the guitar in Poland up to 1981 in the context of the Polish Radio Archive records
The Polish Radio’s long-lasting broadcasting monopoly brought about the technological and later historical as well as political relegation of the guitar, in particular classical guitar, to a musical niche. The aim of the...
Music Education in Training Early Childhood Education Teachers in the Context of Jerome Bruner’s System of Representations. Its Purpose and Teaching Methodology Modification for Remote Work
The article consists of two parts. The first presents the implications for training early childhood music education teachers which arise from the theory of developmental psychology concerning Jerome Bruner’s system of re...
Interpretation of the principles of stylistic play in the polyphonic cycle of M. Skoryk
The article is devoted to the works of Myroslav Skoryk, a prominent Ukrainian composer, who is well known on the Polish music scene. Two pairs of preludes and fugues from the polyphonic cycle for piano are discussed in p...