Profesjonalni amatorzy. Uwagi o profesjonalizmie e‑recenzji filmu (na przykładzie internetowych recenzji Znaków Manoja Nighta Shyamalana)

Przegląd filmów 70mm. Wszech(mir) to nasz świat

Dlaczego Superman nie mógł być Żydem? Tożsamość żydowska w komiksie amerykańskim i frankofońskim

Beginning with Superman and the Golden Age of American Comic Books, by Will Eisner’s graphic novels and Art Spiegelman’s underground stories, till the most recent examples of artists from both American and Francophone co...

Technology as Witchcraft. Fear and Desire: A Female Robot in Fritz Lang’s Metropolis

Polski przemysł muzyczny w latach międzywojennych. Rekonesans

After the independence had been regained Polish phonographic industry dealt with huge problems caused by warfare. Moreover it had to be recreated from scratch since the way it was organized during annexation was no longe...