BORDERLAND POETIC VISIONS: BOHDAN I. ANTONYCH, JERZY HARASYMOWICZ AND JANUSZ SZUBER
Journal Title: Наукові праці. Серія "Філологія. Літературознавство" - Year 2017, Vol 301, Issue 289
Abstract
Living in the interstitial space of a borderland necessarily engenders bilingual, bicultural, and binational reality. To talk about borderland people oftentimes means to touch on the issues of identity and transgression, which implies the necessity to embrace the Other. In the end, the borderland place itself dictates its own text and imposes on its inhabitants a unique cultural geography. This paper focuses on one such place, namely the southeast corner of Poland, as seen through the eyes of three Slavic poets, one Ukrainian (Bohdan Ihor Antonych) and two Polish (Janusz Szuber and Jerzy Harasymowicz), each belonging to a different literary epoch but all being inspired by the experience of cultural contact in the ethnically diverse territory. Bieszczady, the Polish name for a mountain range in Western Galicia that extends into Ukraine and Slovakia, also known as a homeland of the Lemkos, an ethnic subgroup of Ukrainians that was forced to resettle to the formerly German lands in the north and west of Poland shortly after World War II, has a different meaning for each of the three poets under scrutiny, but their representations and/or acknowledgment of the Other is clearly manifested in their oeuvre, and it is my intention to pinpoint similarities and/or differences in their borderland poetic visions. I argue that their poetry reflects an unparalleled richness of cultural geographies characteristic of the borderland region.
Authors and Affiliations
M. G Rewakowicz
MEMORIES ABOUT UKRAINE IN THE PROSE OF M. ARKAS III
The author analyzes the prose heritage of Mykola Arkas III, who grew up and was formed in Mykolaiv region. His national and biographical roots are mentioned. M. Arkas Jr in his Povist pro nash step shyrokodolyi (The Tale...
LITERATURE, MUSIC, CINEMA: BOARDS OR ABCENCE OF THEM IN THE POETRY BY OLEH LYSHEHA
In this report some poetry texts of the collection The Big Bridge have been read and interpreted via two codes: Cinematic and Music, which are combined in the Intermediate code. The term «intermediate code» was introduce...
MENTAL SPACE IN INTEGRATIVE MODEL OF THE Ap. GRIGORIEV
Creative heritage of the Ap. Grigoriev occupies a special place in the history of literary criticism of the mid of XIX century. However, there is no active interest to it in the modern literature science. Applying differ...
COMMUNICATION RHIZOMATICS OF «THE PHARMACIST», A NOVEL BY YURIY VYNNYCHUK
Postmodern Books (like «the Pharmacist» by Yu. Vynnychuk) regularly appear in contemporary Ukrainian literature. But the more meanings accumulated and citationality enhanced, the more these texts become rhizomes. Consequ...
THE CHRISTIAN PARADIGM OF DEVELOPMENT OF THE MODERN UKRAINIAN POETRY (based on the Poetry Collection «In the Lord’s Meadow»
The article is devoted to the problem of «Christianity and literature». Proceeding from the statement that the writer’s axiology and style are closely related to each other, that the consciousness of a believing person d...