COMPOSITIONAL AND SEMANTIC ROLE MONOLOGUE SPEECH IN THE SHORT STORY OF V. STEFANIK
Journal Title: Проблеми сучасного літературознавства - Year 2017, Vol 0, Issue 24
Abstract
In the article the genre and style features short stories monologue speech of V.Stefanik. The creative works of writer observed certain patterns transition period - generic and genre syncretism began. On the one hand, this was due to the feature of the worldview of the author, his aesthetic worldview, experience objectivity. On the other - reflects the desire to reproduce writer social problems and contradictions of life in a new way - not through the prism of Ethnography and pobutopysannya, and a direct show existential situations, experiences Heroes certain circumstances episodes that reflected in their speech communication. Under proven that means dramatic events are playing in their objectification through speech characters, no narrative elements directly disclosure character actors locality timespace have shaped the genre and change the appearance of the synthetic type as scapular-scene. Events are sent directly life characters. The descriptive elements of narrative almost leveled. Direct speech is kind of characters means copyright psychology. V. Stefanik tends not "tell" about the events not to reveal their author's assessment and understanding and to "show" inner feelings of the characters, to focus attention on a dramatic, emotional situations. This is particularly felt in the monologues, scenes sketches writer who often played in the form of internal communication dialogue with an imaginary companion. Often in the minds of imaginary hero through simulated communication situations dramatic events played out the whole "drama". In such a defining speech designs is the use of taking dramatic "scenes on stage." Thus, innovation modifications genre short fiction Stefanik modification appears in the plot-compositional, narrative features works means of character and picture images of characters associated with the process of synthesizing epic and dramatic characters in the poetics of short story writer.
Authors and Affiliations
Olga Kazanova
Keywords
Related Articles
- EP ID EP392031
- DOI -
- Views 117
- Downloads 0
LITERARY INHERITANCE OF V. HUGO IN THE CONTEXT OF THE FRENCH ROMANTICI
The article «Literary Inheritance of V. Hugo in the Context of the French Romanticism» deals with the analysis of the writer’s creative works both prosaic and poetic. In this article V. Hugo is presented as the outstandi...
ОСОБЛИВОСТІ СУҐЕСТИВНОЇ ПОЕТИКИ У ЦИКЛІ «ПОЕЗІЙ В ПРОЗІ» М. КОЦЮБИНСЬКОГО «З ГЛИБИНИ»
The peculiarities of poems in prose of M. Kotsyubynskyj are analyzed in the article. The changes of compositions, narrative forms, pragmatics, idea and thematic bases of texts of poems in prose are fixed.
О ПОЭТИКЕ КОМЕДИИ БЕРНАРДА ШОУ «ПЕРВАЯ ПЬЕСА ФАННИ»
The article deals with the essential principles of the structure in Bernard Shaw’s comedy «Fanny’s First Play». The peculiarities of the work, created as a «play-within-a-play», the role of the principle of symmetry in i...
IMAGE TARAS SHEVCHENKO IN NROREALISTS CULTURE
On the influence of T. Shevchenko on his contemporaries, fellow artists and other cultures written during the time of the poet. Various studies have appeared during the change of epochs. We learned about T. Shevchenko as...
CREATIVE PERSONALITY OF THE WRITER: PROJECTION ON PSYCHOGRAPHY
The article is devoted to the consideration of the author’s concepts of the writer’s psychological organization (psychography). In the literary critique of the twentieth century, psychography as a method of differential...