FOLKLORYZM OF THE CREATIVITY OF MYCHAILO STARYTSKYI
Journal Title: Наукові праці. Серія "Філологія. Літературознавство" - Year 2016, Vol 277, Issue 265
Abstract
The article deals with the peculiarities of folk genres mastering in the literary works of Michailo Starytskyi. The artist is a member of the corypaeuses of Ukrainian theater, renowned personalities in the field of culture. He was a like-minced person of M Lysenko, M. Kropyvnytskyi, I. Karpenko-Karyi, M. Zankovetska, M. Sadovskyi, P. Saksahanskyi. M. Starytskyi name is inscribed in gold letters on the historicaly tablets of the world art. The literary heritage of playwright is very rich and various. He wrote about thirty plays including original texts based on folk sources, staging, processing, which extended the then theatrical repertoire in Ukraine. The delimitation of functions of folk components in the poetics by M. Starytskyi in the main theme of the study. The aim of the article is to trace the peculiarities of folk genres mastering in M. Starytskyi’s drama. Methodology: the works of Ukrainian and foreign scientists in the field of literary study, folk study, mythology, ethnography and art criticism are theoretical and methodological basis of our study. The systematic, comparative and historical, comparative and typological methods of study are used. Scientific novelty is determined by fact that it finds out in detail the functions of various folk genres in M. Starytskyi’s dramatic heritage. Field of application: research materials can be used in high school during study of basic and special literary courses and folklore. Conclusion: the playwright managed to combine organically the folk element with his art world, using his deep knowledge in Ukrainian folklore world. This creative symbiosis provided unusual stage success and popularity to dramas and comedies by M. Starytskyi’s untill today.
Authors and Affiliations
G. Nemchenko
FORMS OF REPRESENTATION AND WAYS OF UNDERSTANDING OF THE MATERIAL BODILY STRATUM IN POSTMODERN LITERATURE (BASED ON THE TEXTS BY Y. VYNNYCHUK AND M. GRETKOVSKA)
Postmodern literature in the former Soviet Union appeals to the marginal realities of the previous colonial life, opposing it to the abstract aesthetics of socialist ideals. The grotesque body, its bowel movements, sexua...
ALIVE BODY, DEAD BODY AND HALF-ALIVE BODY: CULTURAL SUBSTITUTION AND CONSTRUCTION OF GENDER
Trash has an indicative complex of features: accentuated incompliance with the Great Narrative, declared refusal from the hegemony of technical device, simplification of language, demonstrative aesthetic downplay, techni...
COMMUNICATION RHIZOMATICS OF «THE PHARMACIST», A NOVEL BY YURIY VYNNYCHUK
Postmodern Books (like «the Pharmacist» by Yu. Vynnychuk) regularly appear in contemporary Ukrainian literature. But the more meanings accumulated and citationality enhanced, the more these texts become rhizomes. Consequ...
IDENTIFICATION COMEDY WITH FOUR UNKNOWNS: UKRAINE – GERMANY – ISRAEL – PALESTINE (IN D. KAPITELMAN’S NOVEL MY INVISIBLE FARTHER’S SMILE)
The article is devoted to the peculiarities of an identity search and constructing manifested through the border experience of the functioning of the Self. The border is defined by the author as a collision of the known...
HOW FAUSTUS BECOMES VICTOR FRANKENSTEIN: EUROPEAN MAGIC AND SCIENCE
The article refers to the inherent connection between European magic and scientific thinking and the impact, which this phenomenon has on the development of the literature of modernity. In the Renaissance period within t...