Конфликт «меланхолический» и «скорбный» (баллада В.А. Жуковского «Людмила»)
Journal Title: Вісник Університету імені Альфреда Нобеля. Серія "Філологічні науки" - Year 2017, Vol 2, Issue 14
Abstract
The article considers the system of images of the ballad of V.A. Zhukovsky’s “Lyudmila” (1808). The analysis shows that traditional conflict “Lyudmila ↔ God” attributed to the text of Zhukovsky, in fact, was not considered by the poet as possible and relevant. According to the treatise Zhukovsky “On the melancholy in life and poetry” the author differentiated the conflict and subdivided it into “melancholic” and “sad”. It is these types of conflict were in the centre of “Lyudmila”. It allows to speak about some “freedom” of Zhukovsky to “Lenore” by G.A. Burger. In addition, the article suggests that without words the ballad “Lyudmila” was dedicated to Maria Protassova, to which Zhukovsky wooed at the time of writing ballads. Zhukovsky, who in “Lyudmila”, apparently, “imitated” German romantic writer, actually already in the first “translation” ballad showed poetic independence, an embodiment own – moral, religious, philosophical – ideas, introduced in interpretation of ballad collisions the personal ethic-aesthetic declaration, the profound reflection. Zhukovsky used only Burger`s ballad matrix, unfamiliar to the Russian reader the genre form, but filled it elegiac (moral-philosophical) content inherent in the poet early lyrics. Initial for religious consciousness the Christian dogma of humility to the God, offered by the Burgher in «Lenore», in Zhukovsky`s transposition appears in national original (“softened”) form and is filled with an original ethic-aesthetic content.
Authors and Affiliations
О. В. Богданова
Keywords
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- EP ID EP434243
- DOI 10.32342/2523-4463-2017-0-14-114-122
- Views 147
- Downloads 0
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