L΄artiste et ses perceptions: vers une nouvelle théorie de l΄art

Abstract

Konrad Fiedler, Sur l’origine de l’activité artistique, deuxième édition, traduit par Inès Rotermund, Sarah Schmidt, Werner Uwer, Sacha Zilberfarb, sous la direction de Danièle Cohn, Ileana Parvu. Paris: Editions Rue d’Ulm/Presses de l’Ecole normale supérieure, 2008

Authors and Affiliations

Keywords

Related Articles

Hermeneutik heißt Übersetzen

Larisa Cercel (Hg.), Übersetzung und Hermeneutik. Traduction et herméneutique, Bucharest: Zeta Books, 2009

From a Non-Formal Ethics of Values in Scheler to the Thresholds Zones in Waldenfels: Ethical Implications of the Understanding of Personality

This research intends to develop the ethical implications of the concept of personality through the phenomenological approaches of Scheler and Waldenfels. For both philosophers, an ethics based on a moral formalism would...

Plato: Philosophy as Politics

One of the elements that obstruct the access to a presumed meaning of Plato’s doctrine is the use of the conventional meaning of the term “philosophia”, that is the signification that has prevailed after Aristotle. In or...

Deleuze Transcendental Empiricism as Exercise of Thought: Hume’s Case

This paper aims to clarify the program of Deleuze’s work on Hume’s philosophy. Also, I plan to make clear the operational meaning of Deleuze’s own hallmark regarding his approaches to philosophy. I start to follow Deleuz...

Le problème de la vérité dans Etre et Temps de Heidegger

The aim of the present paper is to analyse the way in which Heidegger’s work Being and Time is based on the relationship between four concepts with methodological function: phenomenon, logos, interpretation (Auslegung),...

Download PDF file
  • EP ID EP93134
  • DOI -
  • Views 119
  • Downloads 0

How To Cite

(2012). L΄artiste et ses perceptions: vers une nouvelle théorie de l΄art. Meta: Research in Hermeneutics, Phenomenology, and Practical Philosophy, 4(1), 248-257. https://europub.co.uk./articles/-A-93134