Miasta, manekiny i maszyny metafizyczne
Journal Title: Schulz/Forum - Year 2015, Vol 5, Issue 5
Abstract
The French critic reveals a whole extensive network of affinities which connect Schulz’s oneiric fiction with that of Alfred Kubin, E.T.A. Hoffmann, Max Blecher, and – perhaps not surprisingly – Franz Kafka. Selecting from the world of Schulz three specific motifs: the city, the mannequin, and the metaphysical machine, he demonstrates that the writer from Drogobych joined, for the most part unawares, the mainstream of European modernism both in its literary and artistic varieties, including the self-reflexive art of Marcel Duchamp.
Authors and Affiliations
Serge Fauchereau
Schulz w książeczce do nabożeństwa czyli "Mesjasz" Wojciecha Żmudzińskiego
Wojciech Żmudziński’s novel is another story of the lost manuscripts by Bruno Schulz. The author presents a surreal vision of the world in which the found Messiah is a guide for the perplexed and a prophecy about the com...
Sierpniowe inicjacje. Obrazy kobiet w Sierpniu Brunona Schulza
Even though Bruno Schulz repeatedly criticized psychoanalysis, one may discover in his fiction many traces of Freud’s theory. The writer from Drogobych not only proposed his own version of the Oedipal drama, but also exp...
Schulzowskie relacje transtekstualne i kontekstowe w literaturze polskiej XX i XXI wieku
The main goal of the paper is to analyze Schulzean transtextual and contextual relations in Polish literature of the 20th and 21st century. Using the theories of Gérard Genette, the author focuses mostly on hypertextual...
Markownik Tomasza Leca
The artist Tomasz Lec has done one of the most original graphic designs referring to Bruno Schulz. It is a cover of The Regions of Great Heresy and Environs by Jerzy Ficowski, the founding father of Schulz studies. The b...
Manekin artysty, manekin fetysz (Mannequin d’artiste, mannequin fétiche), Paryż, Musée Bourdelle, 1 kwietnia – 12 lipca 2015
This is a report from a visit to the exhibition, Mannequin d’artiste, mannequin fétiche, presented at the Paris Musée Bourdelle in April 1-July 12 2015. In the first place, the show was intended to be a story about the m...