OBRAZY NA WYGNANIU? Literackie reinterpretacje dzieł malarskich
Journal Title: DYSKURS Pismo Naukowo-Artystyczne ASP we Wrocławiu - Year 2016, Vol 20, Issue 20
Abstract
Marek Śnieciński IMAGES IN EXILE? – Literary Reinterpretations of Paintings Śnieciński highlighted and analyzed three different strategies of using and reinterpreting images described by prominent contemporary writers. In novels entitled In Praise of the Stepmother and Don Rigobert’s Papers by M.V. Llosa, paintings are considered as catalyst for literary narration. Llosa takes organizes a game with dual nature images; he plays with the relationship between mental images and the media. P. Quignard’s strategy is ‘thinking with images’. His Night Sex is based on quotes from concrete paintings. He combines text with visual narration. The internal dialogue between ‘quoted’ images allows the writer to formulate his questions about sources of imagery. G. Perec’s novel entitled Life: User’s Manual includes images, which are an important element in life-project of one of the characters; they only considered as a form of literary scenario. The scenario for life includes commentary on many phenomena and trends in contemporary art (eg. conceptualism, minimalism, performance art). In all of three strategies, paintings did not lose their identity, although they have been deprived of their roots in materiality. Images gained different potential for action, a new form of existence.
Authors and Affiliations
Marek Śnieciński
Komentarz Autora do książki Historia naturalna, czyli Patyczki Pana Boga i opis artystycznego projektu, który ta publikacja otwiera
O ideale obróconym w dowcip. Fotografia kompozytowa Francisa Galtona i jej oddźwięki
Leszek Brogowski On Ideals Made Funny: Francis Galton’s Composite Photography and Its Echoes Francis Galton (1822-1911) was a “private” scholar: a traveler, a statistician, a meteorologist, but his real passion was conne...
Eine herrliche Entspannung in einer blöden Zeit“– Die Breslauer Jahre Oskar Schlemmers
Ryszard Różanowski ‘Great Relaxation in Absurd Era’— Oskar Schlemmer’s Years in Wrocław The years from 1929 to 1932 were important, creative and critical period in Oskar Schlemmer’s life. In October 1929, after nine rich...
ZEJŚCIE Z COKOŁU Sztuka jako żart. Od Francisa Picabii do Maurizio Cattelana
Dada movement stripped art of seriousness, turned art into a joke, a sophisticated fun. Where there were Dadaists, there was laughter, as Hans Richter once said. Dadaists formed an opposition: bour-geois false values, ov...
Abstrakcja w fotografii; próba narracji poza znaczeniem
Photography, like any art, is connected with many aspects of human thought. It kindles the process of thinking and it gets across various aspects of understanding the reality by all photography lovers. From the beginning...