Parodied Locations: A Play on Genre Conventions and Place in Flann O’Brien’s The Poor Mouth and Alasdair Gray’s Poor Things
Journal Title: Zagadnienia Rodzajów Literackich - Year 2017, Vol 60, Issue 2
Abstract
Flann O’Brien in The Poor Mouth and Alasdair Gray in Poor Things use parody (of Gaeltacht memoirs and Gothic fiction respectively) to join in a discussion on literary representations of their homelands (Ireland and Scotland). This paper discusses the subversive play on the reader’s expectations regarding literary representation of places driven by previous knowledge of the parodied genre’s conventions which the two authors use to pinpoint the inadequacy of the hitherto existing literary tradition.
Authors and Affiliations
Barbara Szot
Praktyki filologiczne Stefana Szymutki – rekonesans
The article is split into two parts. In the first one, author postulates interpreting Stefan Szymutko’s oeuvre within a broad context of „philological practices” and tries to describe the big array of modern returns to p...
Grand-Guignol ― paryski teatr grozy
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Praktykowanie pamięci (Mnemosyne. Pamięć jako źródło dzieła sztuki, pod red. Marii Cieśli-Korytowskiej i Jakuba Czernika, Wydawnictwo Avalon, Kraków 2016
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Narcyzm, obraz, disco polo
The article traces the affinities between cultural narcissism on the one hand and the representation of individual and collective identities in visual media on the other. By referring to a body of research on narcissism,...
Literatura dotycząca powojennych przesiedleń na tzw. Ziemie Odzyskane – przegląd koncepcji badawczych i próba definicji / The Literature of Postwar Resettlement on so-called Recovered Territories – Review of the Concepts and Definition Attempt
The article is a review of selected concepts concerning Polish literature of post–war resettlement of so-called Recovered Territories (1945−1989). The review allows to characterize the literary narrative about postwar di...