STEREO AND VARIO IMAGE IN ART AND GRAPHIC DESIGN: PERIODIZATION
Journal Title: Актуальні питання гуманітарних наук: Міжвузівський збірник наукових праць молодих вчених Дрогобицького державного педагогічного університету - Year 2018, Vol 19, Issue 1
Abstract
The article highlights the results of the periodization of stereo and vario images in art and graphic design taking into account the European and world phases of their development. Inventors, artists, designers of different eras tried to comprehend the phenomenon of the binocular image in the context of depicting of space. However, discourses on the topic of history and the future of spatial images, including as regards their potential, and the ability to challenge the centuries-old domination of a two-dimensional image, haven’t decline even now. Meanwhile, stereo camera, holographic laser and computer became important tools for photographers, artists and designers. Despite the growing popularity of stereoscopic image as a self-contained artistic phenomenon, as well as an element of graphic design of printed products, it still remains at the periphery of artistic research by domestic scientists. The product of design must always meet the modern requirements and trends, so the designer’s activities are often aim to find an innovative solution to a project task. The lack of domestic scientific research on the evolution of stereo image as an element of graphic design limits and complicates the choice of design solutions, forcing domestic designers to spend extra time and resources in search of scattered and fragmentary information. A thorough research and generalization of the current trends in the use of stereo images in graphic design objects will help solve this problem. The method of periodization provides the opportunity to specify the boundaries of the various stages of the development of stereo image in art and graphic design. Proceeding from the absence of a single universal periodization of the history of art and science, this study is charac- terized by methodological pluralism. This methodological approach made it possible to obtain systematic information on the phased development of stereo image in art and design. The lack of scientific works on stereoscopic image as a self-sufficient artistic phenomenon and the role of stereo and vario effects in graphic design on the background of the intensive implementation of technological innovations predeter- mine the need for its complex research and periodization. Outlined problems indicate the need for a systematic approach to the question of historical modeling of events and processes of the stereo and vario image’s past the and structuring of the actual material in the technological sequence. The purpose of the paper is to determine the periodization of the historical development of stereo image in art and graphic design as a self-sufficient phenomenon. As a result of systematization of scientific researches on the basis of the chronology of the development of stereo image in art and design, periodization of the genesis and the evolution of stereo image is proposed. Six phases of development, that had been passed during the evolution of stereo image from the third century B. C. to the present are identified, namely phases: proto-stereo, early classical, classical, innovative, post-industrial, informational. Ongoing period from 2010 to present is identified as globalization (nanotechnology) phase.
Authors and Affiliations
Yevheniia NAZARKEVYCH
Keywords
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