The Fortunato Depero's advertising pavillions
Journal Title: UcoArte. Revista de Teoría e Historia del Arte - Year 2020, Vol 9, Issue 6
Abstract
The Fortunato Depero advertising pavilions were a synthesis of two research lines on Italian futurism. The first, referring to architecture, was based on the heritage of the “Manifesto dell'Architettura Futurista” (1914) by Antonio Sant´Elia, as well as his and Mario Chiattone's projects. Depero rethought his problem based on the concept of transience as an argument for creating ephemeral architectures. The second, determined by publicity, visualized it as an element on which the mass media would articulate the construction of the world. The publicity pavilions were one of his most recognizable creations, and set a pattern that would be repeated in the movement, in similar artists, and in later models.
Authors and Affiliations
Juan Agustín Mancebo Roca
Keywords
Related Articles
- EP ID EP704556
- DOI https://doi.org/10.21071/ucoarte.v9i.13161
- Views 113
- Downloads 0
Attributed and unpublished works by Juan Bautista Vázquez El Viejo and his workshop in the Kingdom of Seville
In this article several new works to be found in the old diocese of Seville, they are attributed to the sculptor Juan Bautista Vázquez “el Viejo” (for example, the images of Saint Sebastian which is located in the Church...
The History and vernacular architecture related to farming between Montes de Toledo and river Tagus: a parallel story
Vernacular isolated architecture, related to agriculture, is a catalyst of historical processes and of the evolution of the relationship between mankind and territory. The aim of this research has been to analyze the inf...
The Immaculate conception in some engravings of books published in New Spain in the 18th and 19th centuries
In this article we study of the engravings dedicated to the Immaculate Conception which illustrate books published in New Spain in the 18th and 19th centuries. Their analysis focuses on iconography, and technical and sty...
Gaspar Núñez Delgado and the VII Duke of Medina Sidonia Around a «step of the Lord carrying the cross» for the ducal palace
This article analyzes the carving of a Christ with the cross on his shoulders, with a round shape, that the proto-Baroque sculptor Gaspar Núñez Delgado (ca. 1555-1606) made in 1575 for the VII Duke of Medina Sidonia, and...
Fashion collection: From Eleonora Duse to Julie Peters-Desteract
This article analyzes a particular branch of the relationship that combines the art and fashion world with focus on the theme of textile collecting, operated by female characters. The area of textile collecting connects...