TO A QUESTION OF CATEGORY OF “AUTHOR'S WORLDS” IN THE ART TEXT
Journal Title: Вісник Одеського національного університету. Філологія: літературознавство, мовознавство - Year 2018, Vol 23, Issue 1
Abstract
The article deals with various approaches to the definition of the «author's worlds» category. Author's worlds are associated with the notion of "heterocosmos". It is indicated that A. Baumgarten and V. Diltya treated the author's worlds as "the created reality". However, the author's worlds are inconceivable only within imagination. Therefore, in order to comprehend the indicated concept, literary critics attract not only the artistic text as an object, but also comments and autocompositions as well, taking into account the author's psychotype, the type of author's emotionality, etc. It is supposed that these factors were considered by M. Bakhtin, reflecting on the artistic world of the work as an esthetic object. It is specified possible relatios between types of cultures and the concrete art text, the problem of author's consciousness, author's thinking as complex of philosophical, esthetic, poetric issues in total is emphasized. The attention is drawn to the concept that the text is "embedded" into some non-textual structure, the most abstract level of which can be defined as world modeling. Due to the above-mentioned tendencies in humanitarian discourse, it is assumed that the plurality of solutions to the problem lie in the realm of comprehension of the author's worlds in the aesthetic aspect and the study of the forms of their representation in the text. First of all, it is claimed that the author's worlds are the world of feelings, experiences, the world of vision and the creation of artistic reality. The author's consciousness organizes the worlds of works, their multiple codes. The dominant here is the spirituality of the author, which testifies to his connection with the transcendental one. The understanding of the text as art reality comprises a certain view of the universe. It is the ontological-gnosiological, axiological and anthropological aspects that contribute to the inclusion of the reader in the world of the artist. The conclusion is that the study of different levels of author worlds allows us to identify the priorities of mental, ethnological, religious and philosophical components, as well as the external and interstellar borders, which are embodied in alternative variants of world order, the construction of new world-concepts.
Authors and Affiliations
N. М. Rakovskaya
Keywords
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